“The World Has Turned And Left Me Here” — Chris Conley, Saves the Day
Gorgeous melody, killer fuzz guitars, and a bitchin’ acoustic line to take it over the top of Rock Mountain. Check it out, though — this shit is emo, bro. In fact, less than three years from its release, bands like Saves The Day and The Get Up Kids would be touring the U.S. inspired by bands like Weezer and Sunny Day Real Estate. Everything was right around the bend. And this track is the link.
People might not remember now what an emotional impact Weezer made on the world of music, but back then, hardly any lyrics at all made sense in alternative rock. You had this generation of songwriters that grew up in their parents’ station wagons waiting in line for fuel, then coming of age in the Reagan era when any reasonably intelligent young adult on the fringes of society felt alienated and lost. Before the emo generation came along wearing its heart on its sleeve, there wasn’t a lot of clear and honest self-expression on the radio. Lyrics were often absurd and abstract, the music angular and fragmented, reflecting the angst of a generation stuck between Free Love and Big Business.
But not here. Here the melodies are tender and beautiful, as well-composed as the best ballads of the ballroom dancing days. The singing is soft and sweet, with warm harmonies and countermelodies stacked in surprisingly nostalgic fashion. This is the 1950s from the future. This is where grunge meets pop. The chord progression itself is simple, but with blown-out guitars and arpeggiated acoustic, the combination is a revelation. This is a new sound.
And the words… well, the words are emo! Even though Rivers hides behind irony and dated slang here and there throughout the album, on this song you can feel the weight and pull of loneliness in every line. You can feel the melancholy cut through the noise, the feedback and the distortion. And this was written at a time when boys were still told not to cry, not to let it show. But here Weezer sing it out without fear, an unabashed display of the depths of the heart. This album struck a chord with a generation also alienated and adrift. We latched on, we plugged in, and we declared proudly to the world, “This is how we feel. This is where we are. So play it fucking loud.”