Today’s release of the annual VIDA count, for literary magazines and book reviews, puts me in mind of a literary gender avenger version of Santa Claus coming to town, weighing whether children (aka magazines) have been naughty or nice. In this case, the question is less how magazine editors have behaved in school, and more how aggressive they’ve been in counterbalancing their blind spots by mindful solicitation of and interest in female writers.
And the judgment of who’s getting coal in their metaphorical stockings is up to us, the readers of these publications when presented with VIDA’s pie charts. We’re encouraged by VIDA to email the editors with praise or disapproval, and we can also help the magazines rectify the situation — encouraging agents, pitchers of book reviews, publicists and writers to do their part and put underrepresented writing forward for consideration.
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Novelist Salman Rushdie is no stranger to literary controversy (being the target of an infamous 1989 fatwa after the publication of his… Read More
As April ushers in sunshine and flowers, and the spring holidays have adherents talking about new beginnings, the writing world is overflowing with people setting goals. Some are participating in the 100 days project, which begins today and requires doing something creative each day for 100 days straight. Others are embarking on Camp NaNoWriMo, a “practice run” month of novel-writing, and the more verse-inclined are scribbling a poem a day for National Poetry Month (either through the auspices of NaPoWriMo or not).
And even if we’re doing none of those things, but simply contemplating Ken Cosgrove’s choice to abandon his writing to get revenge on his advertising colleagues on the premiere of Mad Men, today is a good day to rededicate oneself to the craft. So here’s a collection of words from writers beyond the usual suspects — writers of color, feminists, genre writers, and even a Renaissance poet — talking about the hard work of building habits, agonizing over the writing process, and wrestling with the muse. If they don’t have you waking up at dawn tomorrow with a pen and a notebook, nothing will.
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The word dystopia came into being in the 19th century, through two modifications of existing words. First, the utilitarian philosopher Jeremy Bentham, in his Plan of Parliamentary Reform, simply changed the prefix of Sir Thomas More’s Utopia (οὐ or “u” means “not” — so “no place”), which signified a fictional place, to κακό or “bad,” to create cacotopia: a bad place. Decades later, in 1868, Bentham’s disciple, John Stuart Mill, made a speech to parliament in which he reiterated “cacotopia” before upping the ante with his own neologism, “dystopia.”
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Nearly everyone agrees that the BBC’s adaptation of Wolf Hall, which will debut this Sunday on PBS Masterpiece, is, well, a masterpiece — or nearly so. The consensus is that the sets are decorous and true to the Tudor period; the costuming expertly done; the actors solid all the way around, with the exception of Mark Rylance, who plays a Cromwell for the ages; and the dialogue both witty and utilitarian. The only hitch, critics will complain, is that TV version of Wolf Hall — which brings together Hilary Mantel’s historical novels Wolf Hall and Bringing Up the Bodies — is dark and ploddingly slow.
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Buzzfeed — that ever expanding empire of not-just-lists — is further broadening its reach: it’ll soon be starting a literary magazine, with… Read More
Queens native Awkwafina knows New York City. What’s more, she knows the city in a way that’s actually useful (best dumpling places and cheap bars) and shares this knowledge with us in her new book. Out April 14, Awkwafina’s NYC follows the rapper/comedian through all five boroughs — yep, even Staten Island — as she unleashes a wealth of information on everything from the top Chinese food joints to the coolest Rite Aid ever. The charming book, which includes Mad Libs and pull-out maps, is a must-have guide for New Yorkers and a fun introduction to our city for everyone else. In this excerpt, Awkwafina guides us through the most familiar (and frustrating) aspect of New York City: the subway.
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There is no question that April brings with it many of the year’s most impressive works of fiction and nonfiction. (And don’t worry about poetry; we’ll handle it separately.) From Renata Adler to Masha Gessen, through established masters of fiction like Toni Morrison and Steven Millhauser, to undeniable new talents like Amelia Gray and Viet Thanh Nguyen, this month sprints the gamut before the industry takes a short and probably literal… Read More
For many, Patricia Arquette’s character made the movie Boyhood. After a seeming acting dry spell (though she was on Boardwalk Empire just before… Read More