The Internet’s favorite item this week, and with good reason, is Kathleen Hale’s Elle interview with professional New Yorker/noted Wolf of Wall Street actress Fran Lebowitz. For those who haven’t read it yet, it starts with Lebowitz refusing to talk on a cell phone and meeting Hale at Burger Heaven instead and only gets better from there. At 64, though, Lebowitz already has a treasure trove of style (and life) wisdom to her name, collected here now that we’ve been reminded we could all use a little more Fran in our …Read More
On September 4, 2014, Joan Rivers passed away. With her, too, died one of the last bastions of insult comedy, a brand of humor that takes aim at anyone and everything, and that is either completely awful (Daniel Tosh, Lisa Lampanelli, plenty of others) or artfully abrasive (Rivers, Lenny Bruce, a scarce few more). The E! Network’s Fashion Police should’ve died, too.
To close out Maison Valentino’s Fall/Winter 2015-16 runway show at Paris Fashion Week earlier today, Ben Stiller and Owen Wilson reprised their Zoolander characters for a much tamer walk-off than the one depicted in the 2001 film. (For one, Billy Zane wasn’t in attendance, at least not that we know of.) You can see in video from the event that the crowd of couture insiders didn’t quite know what to make of Derek Zoolander and Hansel McDonald’s sudden appearance, but based on the iPhone frenzy it sparked, there was clearly some excitement in the air.
Kanye West set the music world on fire with his performance of new single “All Day” at the Brit Awards yesterday, and today his honest interview with BBC’s Zane Lowe resulted in genuine tears, introspection, bon mots and enigmatic catchphrases. We culled the best quotes below.
Say what you like about Kanye West — everyone does — but there’s one thing for certain, and that’s that America’s most consistently fascinating musician is a mass of contradictions. They’ve always manifested to various extents in his music: braggadocio and self-awareness (contrast his verse on the remix of Beyoncé’s “Ego” with “Runaway,” for instance), arrogance and vulnerability, the desire to control his public image and the propensity for doing spontaneous, often ill-advised things that undermine it. They all seem to come back to a desire to which a lot of us can relate: wanting to be accepted by the establishment while at the same time wanting to tear it down. It’s perhaps no surprise, then, that it’s his ongoing obsession with fashion, and specifically the new line he’s created for Adidas, that have thrown these contradictions into the sharpest relief.