On the movie he had the most fun with:
Well, I did a film with Jim Jarmusch called Broken Flowers, but I really enjoyed that movie. I enjoyed the script that he wrote. He asked me if I could do a movie, and I said “I gotta stay home, but if you make a movie that i could shoot within one hour of my house, I’ll do it.” So he found those locations. And I did the movie. And when it was done, I thought “this movie is so good, I thought I should stop.” I didn’t think I could do any better than Broken Flowers, it’s a film that is completely realized, and beautiful, and I thought I had done all I could do to it as an actor. And then 6-7 months later someone asked me to work again, so I worked again, but for a few months I thought I couldn’t do any better than that.
On his oddest experience while living in Japan filming Lost in Translation:
The oddest… well, I was eating at a sushi bar. I would go to sushi bars with a book I had called “Making out in Japanese.” it was a small paperback book, with questions like “can we get into the back seat?” “do your parents know about me?” “do you have a curfew?” And I would say to the sushi chef “Do you have a curfew? Do your parents know about us? And can we get into the back seat?” And I would always have a lot of fun with that, but that one particular day, he said “would you like some fresh eel?” and I said “yes I would.” so he came back with a fresh eel, a live eel, and then he walked back behind a screen and came back in 10 seconds with a no-longer-alive eel. It was the freshest thing I had ever eaten in my life. It was such a funny moment to see something that was alive that no longer was alive, that was my food, in 30 seconds.
On one of his best memories about meeting a fan:
The best experience with a fan? It happens sometimes where someone will say “I was going through a really hard time. I was going through a really hard time, and I was just morose or depressed.” And I met one person who said I couldn’t find anything to cheer me up and I was so sad. And I Just watched Caddyshack, and I watched it for about a week and it was the only thing that cheered me up. And it was the only thing that cheered me up and made me laugh and made me think that my life wasn’t hopeless. That I had a way to see what was best about life, that there was a whole lot of life that was wonderful. And I happen to know (from her own spirit) that that person has really triumphed as an artist and as a human being, and if it’s just a moment when you can reverse a movement, an emotion, a downward spiral, when you can quiet something or still something and just allow it to change and allow the real spirit rise up in someone, that feels great. I know I’m not saving the world, but something in what I’ve learned how to do or the stories that I’ve tried to tell, they’re some sort of representation of how life is or how life could be. And that gives some sort of optimism. And an optimistic attitude is a successful attitude.
On his feelings about the current SNL cast:
They’re good. I don’t know them as well as I knew the previous one. But i really feel like the previous cast, that was the best group since the original group. They were my favorite group. Some really talented people that were all comedians of some kind or another. You think about Dana Carvey, Will, Hartman, all these wonderful funny guys. But the last group with Kristen Wiig and those characters, they were a bunch of actors and their stuff was just different. It’s all about the writing, the writing is such a challenge and you are trying to write backwards to fit 90 minutes between dress rehearsal and the airing. And sometimes the writers don’t get the whole thing figured out, it’s not like a play where you can rehearse it several times. So good actors – and those were really good actors, and there are some great actors in this current group as well I might add – they seem to be able to solve writing problems, improvisational actors, can solve them on their feet. They can solve it during the performance, and make a scene work. It’s not like we were improvising when we made the shows, but you could feel ways to make things better. And when you get into the third dimension, as opposed to the printed page, you can see ways to solve things and write things live that other sorts of professionals don’t necessarily have. And that’s why I like that previous group. So this group, there are definitely some actors in this group, I see them working in the same way and making scenes go. They really roll very nicely, they have great momentum, and it seems like they are calm in the moment. Does that make sense?
Read the full AMA over here.