Amy Adams

25 Must-See Movies For the Fall

Hey there reader, been to the movies lately? If the box office reports are any indication, I’m guessing not — and who can blame you? We’re currently in the weird dead zone between the tentpole blockbusters of the summer and the prestige, Oscar-friendly pictures (and, increasingly, tentpole blockbusters) of the fall. But relief will be here soon enough, so in the interest of helping you mark up your movie-going calendar, we’re looking ahead to the fall films we’re anticipating most. … Read More

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10 Great New-to-Netflix Movies to Stream This Holiday Weekend

The long Memorial Day weekend is upon us, and you know what that means: cookouts, quickie getaways, watching some sort of organized sporting events on television (I think, maybe?). But the shut-ins among us — and your film editor would include himself firmly among that camp — will probably want to simply spend one more day doing what we do every weekend: queuing up a bunch of flicks online, surrounding ourselves with non-perishable food items, and locking the doors. Here are some of the recent(ish) streaming releases worth your Memorial Day weekend time; simply click the title to stream them right… Read More

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“Based on a True Story” Movie Subjects: Where Are They Now?

It’s a big week for murderers whose stories became movies — both Bernie Tiede (played by Jack Black in Richard Linklater’s Bernie) and Michael Alig (played by Macaulay Culkin in Party Monster) are now free men, reminding us that when films are based on true stories, the lives that inspired them continue after the credits roll. Here’s a look at what became of Tiede and Alig, and several other real people who became Hollywood… Read More

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Contrary to Sexist Oscar Blogger Opinion, Movies About Women Make Money

You’ve gotta feel bad for Oscar bloggers. First of all, they’re Oscar bloggers. (Hahaha, I kid.) Second, due to the very definition of their job description, they have to spend something like the next six months basically twiddling their thumbs, waiting for awards season to begin anew at Toronto and Telluride. Some are coping by writing desperate “Wait, wait — what about next year” Oscar 2015 prediction posts. (Only a schmuck would attempt such a fool’s errand.) But at least one, Gold Derby’s Marcus James Dixon, decided the way to keep getting post-Oscar clicks was to pat Cate Blanchett on the head and assure her that no, sweetheart, people don’t want to see movies about ladies. … Read More

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The 12 Oscars 2014 Moments Everyone Is Talking About

Seeing as how they clocked in at a back-breaking three hours and 34 minutes, you could be forgiven for checking out of the 86th Academy Awards ceremony early (or frankly, passing on it altogether—I mean, how about that episode of True Detective?). But don’t worry, we’ve got you covered; your Flavorwire sat through the whole damn thing, and put together the dozen moments that blew up the Twittersphere, burned down our Oscar parties, and will be on everyone’s tongues for a good, oh, 12 hours… Read More

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12 Awkward, Bizarre Musical Moments at the Oscars

The Academy Awards ceremony has, after many, many decades, become an event we both eagerly await and woefully dread. The latter emotions come from the overwrought parade of celebratory adulation for the Hollywood system, an annual ritual that regularly surpasses the three-hour mark. It doesn’t help that in between the awards and tributes to cinematic history are often awkwardly placed musical numbers that seem to make the night drag on even longer. Looking back at the last 25 years, there have been some awesomely atrocious performances in Oscar history. We’ve narrowed down these many missteps and present ten of the most memorable. … Read More

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A Terrifying Peek Inside the Empty Brain of a Typical Oscar Voter

Like many, my young person’s love and unwavering respect for the Academy Awards died on March 5, 2006, when Jack Nicholson opened the evening’s last envelope and announced that the voters had decided, in a year that included Brokeback Mountain, Capote, Good Night and Good Luck, and Munich, that the Best Picture prize was going to Crash, Paul Haggis’ drippy, hackneyed, sledgehammer-subtle examination of race. “But, but… how?” I (and many others, it seemed) asked, befuddled as to what kind of human being could look at those films and choose that one as the cream of the crop. … Read More

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The 10 Most Overlooked Film Performances of 2013

As you’ve presumably noticed, critics’ awards and year-end-list-making seasons are upon us, and though the Oscar nominations are a good month or so away, it’s pretty easy, from the names that have dominated the conversation thus far, to tell which ones we’re gonna see on those ballots (Cate Blanchett, Sandra Bullock, Chiwetel Ejiofor, Tom Hanks, Robert Redford, Joaquin Phoenix, Jared Leto, and June Squibb all seem pretty safe bets). But there was so much fine acting in motion pictures this year that some genuinely great performances are in danger of being ignored — so consider this a “for your consideration” post, spotlighting a few excellent actors whom not enough people are talking… Read More

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Why ‘American Hustle’ Is Much More Than Just Scorsese-Lite

If there was a more influential American motion picture in the last 25 years than Martin Scorsese’s Goodfellas, I can’t think of it. Scorsese’s 1990 organized crime epic was a razzle-dazzle stew of black comedy, gangster cool, hyper-linked narrative, and stunningly confident technique, reestablishing its director as a moviemaking god and leaving film geeks agog. You can see its fingerprints all over Boogie Nights, The Sopranos, Donnie Brasco, Pulp Fiction, and all of that film’s imitators (not to mention much of Scorsese’s subsequent filmography, particularly Casino and The Departed). And it seems like every review, positive or negative, of American Hustle has drawn a not-exactly-recondite line from Scorsese to director David O. Russell, who wears the master’s influence on his sleeve: it is, after all, a two-plus-hour fact-based ‘70s crime picture, filled with insane period costumes and hair, battling voice-overs, gliding camera-work, a button-pushing pop music score, and even a Robert De Niro cameo. Nobody’s cracking any code by pinpointing the Scorsese influence, and we’ve had plenty of opportunities to see how easy it is to make an imitation Scorsese movie. What matters is if the good ones (and I’d include Hustle in that group) go beyond the influence. … Read More

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