We’ve been excited about For A Good Time, Call… since its Sundance premiere, and not just because it (like fellow Sundance film Bachelorette, on demand now and in theaters next month) indicates that the post-Bridesmaids female-heavy R-rated comedy surge is actually going to happen. More than that, For A Good Time is, quite simply, a very funny and exquisitely likable sex comedy, and there’s a shortage of those any way you slice it. There’s no shortage of sex comedies, of course — since the early ‘80s heyday of Porky’s and Hardbodies and their ilk, they’ve been all but ubiquitous. But have you ever tried going back and watching those iconic titles? Good heavens. They do not hold up well.
But a select few do. After the jump, we’ve assembled ten of our all-time favorite sex comedies (which we’re defining as movies where sex is the primary preoccupation/subject matter); add your own in the comments.
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This year’s Academy Awards are just around the corner (well, okay, they’re still a week and a half away, so it’s more like around the corner, down a little, second door on the left), and while we can’t help but get a little excited about Hollywood’s big night, we’re also being very careful to keep our expectations in check. We’ve already lamented the many worthwhile films and performances that were unduly snubbed by the Academy of Motion Picture Arts and Sciences at the nominations phase; when Sunday the 26th rolls around, you can bet the farm that the AMPAS will confound us again by making at least a couple of spectacularly bone-headed choices. There’s a long and storied history of the Oscar simply going to the wrong damn person or movie, countless cases where a peek back at the list of nominees and the eventual winner provokes confusion, rage, or at the very least, a bit of head-scratching. After the jump, we’ve gathered ten of the most egregious examples.
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Movie-set photographer Bob Willoughby died last week at the age of 82 from cancer. While he shot images of everyone from Billie Holiday to Mia Farrow for the pages of Life and Look magazines, he picked Audrey Hepburn as his muse claiming she had a “smile that God designed to melt mortal men’s hearts.” According to his obit in the LA Times, Willoughby was the go-to photographer for Rat Pack, and inspired this bit of praise from director Sydney Pollack: “Sometimes a filmmaker gets a look at a single photograph taken on his own set and sees the ‘soul’ of his film right there. It’s rare, but it happens, and did so to me in 1969, the first time I looked at work Bob had done during the filming of They Shoot Horses, Don’t They?”
Back in 2003, Willoughby — who was also known as “a leprechaun with a Leica” — described his career to the Times of London as such: “I was there to make the women look as beautiful, the men as handsome and the movies as interesting as possible. Beyond that, I photographed what appealed and was exciting to me.”
Peep some of our favorite images after the jump.
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