This week, Olive Films is releasing, for the first time on Blu-ray, The Road to Hong Kong, the last of the seven “Road” buddy comedies starring Bob Hope and Bing Crosby. Hitting theaters a full decade after the penultimate entry, Hong Kong is an occasionally funny and occasionally wheezy bit of business, with one honest-to-God great sequence: an unbilled cameo by Peter Sellers, who strolls into the picture and steals the damn thing outright. Hope and Crosby were early adopters of the kind of inside-joke comedy that yielded such cameos, which became increasingly common in the years that followed; we’ve gathered up some of the funniest in movie …Read More
Let’s start out with the most important part of the Super Bowl: the commercials. Who cares about the winner of the game when the real question is which commercial was best. Compiled here are both the best and worst commercials of the Super Bowl. Watch at your own delight and peril.
People, notably we of the painstakingly non-objectifying left-leaning media, seem to get candidly titillated at the prospect of the exposure of celebrity penis. Because of the peen’s dominance over so much cultural output, and the prominent spectacle of its desires therein, discussions of the peen seem protected from the forces that’d normally call out objectifying representation and objectifying media discourse; this is kind of, it turns out, a cloak of invisibility that hides us from ourselves.
Last week, everybody got a big chuckle (some more than others) out of The Hollywood Reporter’s scoop that Michael Bay — best known for making movies about cars transforming into giant robots and blowing shit up — is in talks to helm 13 Hours, a political drama about the 2012 attack on the US embassy in Benghazi. And while most of those titters come from the participation of meathead entertainment maker and short-short connoisseur Bay (and from speculating on the various ways in which he could fumble the attack’s narrative, in light of its subsequent status as a political football), there’s also some rightful skepticism about the ability of anyone in Hollywood to make this particular “political drama,” since that’s a subgenre the movie industry seems so inclined to fuck up. So on this most political of days, let’s take a quick walk down that hall of shame, shall we?
Everyone’s content has been on point today, so I just want to thank y’all (y’all here being used in the feminist sense) for making today’s post really easy to write. Here’s what you need to read (or look at) from today’s internet goings-on.