It’s a great time to be a TV-loving Chloë Sevigny fan. Not only is the actress, who almost single-handedly made Big Love worth watching, slated to play a mental patient known as “Shelley the Nymphomaniac” on Season 2 of American Horror Story, but she’s currently starring as a transsexual assassin on the British series Hit & Miss. The show will make its US debut tonight at 10pm on DirecTV’s Audience Network, but if you don’t happen to subscribe to the satellite service, you can still preview the entire first episode — complete with some NSFW moments — below and then wait for the rest to surface on Netflix or Hulu. … Read More
Editor’s note: Welcome to The Fug Report! Each week our fashion blogger friends Heather Cocks and Jessica Morgan, the sartorial geniuses behind Go Fug Yourself, will feature some of the most memorable looks of the week in this space. We hope you enjoy it!
Whenever we find out that one of our favorite film actors has taken a role on TV, we’re intrigued. Why trade Hollywood’s red carpets and big paydays for the weekly grind of a regular television schedule? While some thespians can’t resist a juicy role on premium cable, others embrace the small screen as a way to regain the cred they’ve lost after years of disappointing parts in terrible movies. In honor of Don Cheadle’s surprising — and delightful — decision to helm Showtime’s House of Lies, which premiered last night, we look at ten great film actors who became great TV actors. … Read More
To promote her new resort collection for Opening Ceremony, Chloë Sevigny has allowed the retailer into her extensive closet for a giggly look-see, a short that is only the first in a series of films exploring her East Village garden apartment. Sevigny, who describes herself as a “hoarder-type,” is cute and self-effacing in this video, which we like her for. We also like her shoes. Though we’re not interested overmuch in the obvious plugs for purchasable clothing, there’s still a lot of fun to be had here — click through to watch the actress dig through her closet and pull out a host of random stuff, including the original bunny ears (which she built herself) from Gummo, till all beaten up from the rain, a collection of sketches for her award show dresses by Alber Elbaz, old photographs, S&M dog collars, and at least one deeply horrible pink jacket. … Read More
Shame, a candid and powerful look at sexual addiction from director Steve McQueen (no, another Steve McQueen) is out in limited release tomorrow, and as we reported last month, it’s going out with the NC-17 rating—no children under 17 admitted, under any circumstances. The rating, many have surmised, is due to the film’s copious male nudity, and that’s how the American ratings system works: all the naked ladies you want, but the erect male member= automatic NC-17.
The rating was initiated by the MPAA back in 1990, and was intended to be an alternative to the porn-stained (if you’ll pardon the pun) X rating; NC-17 movies, like Henry & June (the inaugural film to carry the rating), Bad Lieutenant, The Dreamers, and Lust, Caution would be for adults, by adults. But it quickly became the kiss of death for filmmakers and distributors. Just as with the X rating before it, newspapers and television outlets wouldn’t carry ads for NC-17 films, while larger theatrical chains and home video outlets refused to carry them. Smaller films would take the mark or (as Kids and Happiness did) go out unrated, while the editing process for big releases became something of a con game: if a film was rated NC-17, the distributor would make the trims necessary for an R-rating, enjoy the publicity, and then restore the cut material for the inevitable “unrated” DVD release (frequently carried by the very chains that refused to stock NC-17 films). By the late 1990s, studios wouldn’t even bother with the first step, cranking out unrated versions of raunchy comedies and adult thrillers as a standard step in their home video release plans.
While the politics of who gets an R and who doesn’t are shady at best (check out the terrific documentary This Film is Not Yet Rated), we can’t help but wonder about what would have happened if the NC-17 could have been what its creators wanted it to be. Fox Searchlight’s decision to release Shame with the scarlet letters/numbers has prompted another round of “will the NC-17 finally become respectable?” questions (answer: dubious), but what if that question weren’t necessary, because the NC-17 had never been stigmatized? Had that been the case, we might have seen the uncut movies we’ve assembled after the jump. … Read More
Halloween may be over, but that’s no excuse to limit yourself to being yourself. Yesterday, we spied the new cover of transversal style magazine Candy over at World of Wonder, and were fascinated (and delighted) to see Chloë Sevigny posing as photographer Terry Richardson. The shot got us to thinking about all the celebrities who’ve dressed up as one another in the past, whether in official capacity (photoshoots, biopics) or unofficial (Halloween, general ribaldry) and ranging from classy to hilarious to downright cruel. After all, celebrities want to dress up as Nicki Minaj for Halloween every year just as much as you and all of your friends do. Click through to giggle, gape and gulp at your favorite celebrities dressed up as, well, your favorite celebrities — and let us know whose costumes you dig in the comments. … Read More
Nicolas Roeg’s 1973 film Don’t Look Now is an intense and effective psychological thriller, acclaimed at the time of its release and only more respected with with each passing year. It has also been the topic of a long-standing controversy: a key sex sequence between stars Donald Sutherland and Julie Christie was rumored to be, well, not quite simulated.
At long last, we’ve got a credible source confirming the story: Peter Bart, the Variety editor and film commentator, was a Paramount executive during the film’s production, and claims in his new book, Infamous Players: A Tale of Movies, the Mob, (and Sex), that he visited the set on the day that the scene in question was shot. While watching, he writes, “it was clear to me they were no longer simply acting: they were fucking on camera.” Sutherland has denied the writer’s claim, but if Bart is telling the truth, then Don’t Look Now would presumably mark the first occasion of unsimulated sexual intercourse in a mainstream motion picture. With that belated honor bestowed, let’s take a NSFW look at some of the other boundary-breaking sex scenes of cinema. … Read More