Christoph Waltz

Tim Burton’s ‘Big Eyes’ Makes a Fascinating True Story Bland

Let’s be honest: the Tim Burton of the 2000s and beyond is a much different director than the goth weirdo we all fell in love with from the days of Beetlejuice, Edward Scissorhands, and Ed Wood. Artists have to eat, but the Tim Burton of the last ten years has been mostly using his visual acuity to bring big-budget hackwork to the screen, with most of it starring Johnny Depp. … Read More

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See Christoph Waltz’s Very Austrian Interpretation of ‘Sesame Street”s Theme Song, Which Haunts Him

Since its debut in 1969, Sesame Street has been one of kid-focused pop culture’s most positive forces. With its big… Read More

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Considering Tim Burton, Hollywood’s Most Disappointing Auteur

There’s a new Tim Burton trailer in the world, and that means it’s time for one of the film fan’s favorite biyearly rituals: choosing up sides between “Ugh, Tim Burton” and “Maybe it’ll be a return to form!” His new film, Big Eyes, is based on the true story of painter Margaret Keane (Amy Adams) and her husband Walter (Christoph Waltz), who claimed credit for her work. It comes at a moment when Burton needs some sort of artistic redemption (even more than usual), but Big Eyes looks less like a filmmaker trying something new than trying a different variation on something old. Is there a busier yet more consistently disappointing auteur at work in contemporary Hollywood? … Read More

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‘The Zero Theorem’ Is Terry Gilliam at His Gilliam-est

The 2000s haven’t been so good to Terry Gilliam. He’s a filmmaker of singular style and distinctive vision, one whose pictures are immediately identifiable, and unmistakable for anyone else’s; he’s one of the few directors whose surname has become a description of its own, and “Gilliam-esque” demands as little explanation as “Hitchcockian” or “Fellini-esque” in movie geek circles. But after a run of jaw-dropping quality and unparalleled imagination in the 1980s and 1990s, his recent output has been uneven and problematic. Now there is a new Gilliam film, already available on demand and in theaters tomorrow; it’s called The Zero Theorem, and while it doesn’t match his previous masterpieces, it frequently manages to recapture the anti-authoritarian spirit and whirling dervish quality of his best work. … Read More

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Flavorwire’s Guide to Indie Flicks to See in September

Fall movie season is upon us, which means the studios are gearing up for their Oscar campaigns by releasing the kind of thoughtful, intelligent, adult-oriented movies that the indies have been cranking out all damn year. But the art houses aren’t shutting down for the season. Here are just a few of this month’s limited and VOD releases that are worth your… Read More

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25 Must-See Movies For the Fall

Hey there reader, been to the movies lately? If the box office reports are any indication, I’m guessing not — and who can blame you? We’re currently in the weird dead zone between the tentpole blockbusters of the summer and the prestige, Oscar-friendly pictures (and, increasingly, tentpole blockbusters) of the fall. But relief will be here soon enough, so in the interest of helping you mark up your movie-going calendar, we’re looking ahead to the fall films we’re anticipating most. … Read More

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Watch the First Trailer for ‘Horrible Bosses 2′

Horrible Bosses was something of a surprise summer hit for Warner Brothers back in 2011—an R-rated comedy (never a… Read More

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At Long Last, the Jesus Action Thriller We’ve All Been Waiting For

Last winter, the highlight of Django Unchained star Christoph Waltz’s Saturday Night Live appearance was the Tarantino-style trailer for… Read More

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