When we reviewed Animal Collective’s Merriweather Post Pavilion, it seemed unconscionable that the hype around the as-yet-unreleased album could be any bigger (as reviewer Andrew Phillips said, message boards were flooded, blogs were ablaze, and fans had resorted to hacking the band’s email account). That’s when underground powerhouse Pitchfork (kingpin of the love/hate indie-rocker relationship) weighed in, bestowing its hallowed Best New Music designation and a 9.6 rating.
While the review wasn’t an unprecedented event, it did lay down a higher ranking than the publication gave ANY album in ’08. After the jump, the author of the review, Pitchfork Managing Editor Mark Richardson, goes one-on-one with Flavorwire’s resident avant-pop obsessive and Unpopular Opinions aficionado, The Beard, about the album, the band’s ascendancy, the potential pitfalls of extremely high and low rankings, and what can happen when reviewers get it wrong.
Perhaps the most anticipated album of our age, Guns ‘N Roses’ long-brewing Chinese Democracy broke its 15-year gestation period with a bit of a whimper. While the media’s incredulous exhortations of the album were unrelenting in the weeks before its release, sales and radio response have been somewhat less stunning. The critical reaction is similarly mixed: Paste called the record “a bottomless pit dug by disposable income, a persecution complex, and egomania,” while Rolling Stone maintained that it was an “audacious, unhinged and uncompromising hard-rock record.”
While his guest review for the Onion addressed a number of shortcomings, best-selling author, acclaimed music critic, and general Axl enthusiast Chuck Klosterman ultimately came out in heavy defense of the album. After the jump, Klosterman goes one-on-one with Flavorwire’s resident hair-metal hater and Unpopular Opinions aficionado, The Beard, on the album itself, the reasons for its muted reception, and the underpinnings and larger implications of his outlook.
