David Gordon Green

Flavorwire’s Guide to 2015 Summer Movies

This Friday, just like the first weekend of every May since 2007, a new movie based on a Marvel comic book will open in thousands of theaters across the country, will make all the money, and will serve as the official starter pistol for summer movie season. And for many a seasoned moviegoer, that’s a cue for despair; after all, summer has become synonymous with big, bloated, stupid blockbusters of the Transformers school. And make no mistake, there’s plenty of those on the runway this season (how ya doin’, Terminator Genisys, it’s pretty funny that you’re actually going with that spelling). But don’t go into cinematic hibernation just yet; there’s also a steady stream of first-rate indie-flick counterprogramming on the runway, and some of the big movies actually sound pretty good. So, as a public service to you, the discerning moviegoer, we’ve assembled a month-by-month look at what might actually be worth your time and… Read More

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Flavorwire’s 10 Most Anticipated Movies of 2015

A new year is upon us, and a peek ahead at 2015’s cinematic offerings is… well, kinda depressing. As you peruse the many 2015 preview pieces on movie sites, there’s a noticeable sameness — namely because they’re chock full of sequels. And some of those sequels (The Avengers, Mad Max, The Hunger Games, Pitch Perfect, Magic Mike, Mission: Impossible, and, yes, Star Wars) might be great! But their domination of said lists speaks to the weakness of said lists; we’re banking anticipation almost exclusively on known quantities, from earlier films and filmmakers. And with Sundance and the rest of the spring festivals still on the horizon, we can’t yet guess at the smaller sleepers. BUT, nonetheless, we present this look at a few slightly off-the-grid and out-of-the-box movies that might be worth talking about this… Read More

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Amazon Greenlights Seasons of ‘Red Oaks’ and ‘Hand of God’

Amazon’s latest crowd-sourced pilot season has come to a near-close, and customer reviews decided that coming-of-age show Red Oaks and drama Hand… Read More

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Don’t Write Off Nicolas Cage Just Yet — He’s Great in David Gordon Green’s ‘Joe’

There’s a new Nicolas Cage movie in theaters and on demand this week, and here’s what’s surprising: it is absolutely worth seeing. It’s called Joe, and it’s exactly the kind of modest, elegiac, naturalistic independent film that big-name actors tend to turn to when they’ve wandered too far off the reservation, which Cage has certainly done. In fact, in the nearly 20 years since he won his Oscar for Leaving Las Vegas, he’s gone from a marvel to a punch line, fronting laughable vehicles, turning in alternately sleepy and twitchy performances in which he all but waves his paycheck at the camera and cackles. But what’s always been frustrating about Cage is the sense that he was so deliberately slumming it, and that there was still a great actor clawing around in there. … Read More

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Flavorwire’s Guide to Indie Flicks to See in April

In case you haven’t noticed, there’s not much doin’ at the multiplex this April. You’ve got a new Captain America, and a Johnny Depp thing by Christopher Nolan’s regular cinematographer that could either be amazing or terrible and silly, and then — what, The Other Woman? Once again, it’s the art house to the rescue, and here are ten of the most notable and recommendation-worthy independent releases of the coming… Read More

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10 SXSW 2014 Movies People Will Be Talking About

Confession: though I love Sundance and know it’s the preeminent domestic film festival, etc., my heart belongs to SXSW. It’s a warmer (literally — Texas in March is immeasurably more pleasant than Utah in January), friendlier, more relaxed and enjoyable fest, and the food doesn’t even compare. But that’s not what we’re there for, of course; what matters is the movies, and as usual, this year’s SXSW Film Festival offers a wide variety of studio fare, thoughtful indies, gutsy genre pics, and general weirdness. Here are just a few of their selections that you’ll be hearing more about in the weeks and months to come: … Read More

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Flavorwire’s Guide to Indie Flicks to See in August

We’re almost there, you guys. We’re almost there. Soon the summer movie season — which this year seemed even louder, uglier, and dumber than ever, though that could just be me getting old — will draw to a close, and the fall will begin. Hollywood, with an eye on those little gold statues, will release movies with, oh, nuance and complexity and that sort of thing. But you don’t have to wait until September; the indies are getting a jump on the majors, countering Blockbuster Fatigue™ with some truly marvelous limited… Read More

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The Best and Worst of Sundance 2013

This time last year, the out-of-nowhere indie Beasts of the Southern Wild emerged at the Sundance Film Festival, knocked out everyone who saw it, and embarked on a thrilling year-long ride to become a critical fave, indie smash, and multiple Oscar nominee. Of course, when you have a big hit, everyone’s looking for a sequel — and most of the press out of Park City has been eager to buzzkill, assuring us that no, there’s not another Beasts in this year’s bunch. But that doesn’t mean that it wasn’t an incredible… Read More

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Close-Reading the Clint Eastwood Super Bowl Ad

In the days leading up to the Super Bowl, we witnessed the usual chatter and previews of the high-dollar car ads for the big game: a Ferris Bueller-channeling Matthew Broderick for Honda, the return of Volkswagen’s Darth Vader kid, Audi’s teen vampire killer, etc. But the game’s most memorable — and thought-provoking — ad came at halftime, as an American movie icon fronted a Chrysler spot that was part car commercial, part pro-Detroit PR clip, and part political campaign ad. We’ll take a closer look at what it says (and doesn’t say) after the jump. … Read More

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