“My choices often have gone against probably what people have most wanted to hear out of me.” Matt Sharp tells me this towards the end of our hour-long conversation, which he conducted entirely from the parking lot of a Los Angeles Starbucks. Sometimes, as we spoke, it seemed as though Sharp’s mouth couldn’t keep up with his brain. Whatever the opposite of burnout is, Sharp’s there. He’s happy to be invited to the party, even if he’s the pessimist in the corner.
For the uninitiated, Sharp’s life in music is a long one that begins, at least publicly, in the alternative boom of the mid-’90. He was the original bassist in Weezer, playing on the band’s first two seminal albums, 1994’s The Blue Album and 1996’s Pinkerton. Between those two records, he formed The Rentals, a power-pop project for Moog enthusiasts and those with a strong sense of irony (their debut was called Return of The Rentals, after all).
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