Diablo Cody

Tom Hardy in "Mad Max: Fury Road"

Flavorwire’s Guide to 2015 Summer Movies

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This Friday, just like the first weekend of every May since 2007, a new movie based on a Marvel comic book will open in thousands of theaters across the country, will make all the money, and will serve as the official starter pistol for summer movie season. And for many a seasoned moviegoer, that’s a cue for despair; after all, summer has become synonymous with big, bloated, stupid blockbusters of the Transformers school. And make no mistake, there’s plenty of those on the runway this season (how ya doin’, Terminator Genisys, it’s pretty funny that you’re actually going with that spelling). But don’t go into cinematic hibernation just yet; there’s also a steady stream of first-rate indie-flick counterprogramming on the runway, and some of the big movies actually sound pretty good. So, as a public service to you, the discerning moviegoer, we’ve assembled a month-by-month look at what might actually be worth your time and… Read More

babadook

Fascinating Quotes About Horror Cinema from Female Filmmakers

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February is a month buzzing with celebrations. For fans of horror cinema, that includes Women in Horror Month — which supports female genre artists and “seeks to expose and break down social constructs and miscommunication between female professionals.” Women in the film industry still face struggles, and genre cinema is frequently and unfairly disregarded by critics, but the female filmmakers creating works of horror today have a unique vision that is breaking new ground and continuing a tradition of women and fright films that started with pioneers like Alice Guy-Blaché. Here are fascinating quotes from some of horror cinema’s female filmmakers (several who will be directing the upcoming all-female horror anthology XX) who discuss everything from creating strong female characters to what it means to be a woman working in the genre.
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youngadult

Why Are There So Few Female Antiheroes on Film?

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Last week, while assembling our mega-list of the best movie antiheroes, your film editor (and, subsequently, a few commenters) noticed a problem: there weren’t a hell of a lot of women on it. It certainly wasn’t for lack of looking, and while it’s feasible (hell, probable) that I missed a couple, the fact of the matter is that the complexities of the antihero — a protagonist and primary focus of a story that’s nonetheless blessed with little in the way of positive qualities — are given to male characters with infinitely greater frequency than their female counterparts. Why is there such a stark disparity?
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