Django Unchained

African-American Film Isn’t Having a Renaissance: Harvey Weinstein and the Myth of the “Obama Effect”

Earlier this week, while on record with the entertainment blog The Wrap, Hollywood producer and power-player Harvey Weinstein blithely declared, “It’s a great moment [for black films]… Hopefully it signals, with President Obama, a renaissance. He’s erasing racial lines. It is the Obama effect. It’s a better country. What a great thing.” … Read More

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Gorgeous Artwork Inspired by Your Favorite Modern-Classic Movies

Alice X. Zhang is a designer and illustrator with a love for movies, and that affection is clearly displayed in Moments, her upcoming solo show at the Bottleneck Gallery in Brooklyn. Zhang’s gorgeous images masterfully capture the essence of such modern classics as Pulp Fiction, There Will Be Blood, Eternal Sunshine of the Spotless Mind, and Moonrise Kingdom; here’s a few highlights from the show, which opens Friday and runs through the month. … Read More

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The 10 Most Painfully Awkward Moments of the 2013 MTV Movie Awards

At risk of putting too fine a point on it, complaining about the crassness and low entertainment value of the MTV Movie Awards is somewhat akin to complaining about the impersonal touch at your local whorehouse. While the show has yielded a few memorable moments over the years, it’s usually a vapid exercise in Twilight and Transformers recognition, wrapped up in the by now pro forma technical clumsiness and vaguely directionless air of any MTV live show. The 2013 MTV Movie Awards, which went out live (or not quite live, considering the number of Samuel L. Jackson’s “motherfuckers” that didn’t make it to air) last night, was about what we expected it to be: non-stop shilling for this summer’s big movies, back-patting for last summer’s big movies, awards for those who showed up (which is about the only way we can explain, as one example, Tyler Lautner beating Channing Tatum for Best Shirtless Performance), a few laughs and more than a few winces for host Rebel Wilson, and endless, endless vaguely patronizing thank-yous for “all the faaaaans” who voted for the winners. But beyond the expected yuckiness, there was awkwardness a-plenty, and our picks for the night’s most peculiar moments await you after the jump. … Read More

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A Beginner’s Guide to Spaghetti Westerns

Next week marks the DVD and Blu-ray debut of Django Unchained, Quentin Tarantino’s Oscar-winning tribute to his favorite of all cinematic subgenres, the Spaghetti Western. Ah yes, you might nod, unafraid to ask the follow-up question: And what, exactly, is a Spaghetti Western? The short answer — if you’re willing to allow the use of the term, which some of those who made these films take as a slam — is an Italian-made western made roughly between 1964-1973 (there were about 500 of them, give or take a few). But if you’d care to sound a little more informed than that at your next film-geek gathering (shut up, we occasionally gather), or if you’d like to use Django as a jumping-off point for a deeper exploration of these popular works, we offer another of our helpful Beginner’s Guides, this one giving you a brief overview of the practitioners and practices of the Spaghetti Western. … Read More

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Incredible Mondo Posters Celebrating the 2013 Academy Award-Nominated Films

We’re big fans of Mondo, the art division of the Alamo Drafthouse that creates limited edition posters honoring classic and contemporary films. They’ve also got a few vinyl movie soundtracks and VHS re-releases up their sleeves (and they sell tees). Mondo’s latest offering is a collection of posters tied to nominated movies in select Oscar categories. The Austin-based gallery was kind enough to give us a preview of some of the artworks, which we’ve featured in our gallery. Several regular Mondo contributors like Olly Moss, Tyler Stout, and Jay Ryan wooed us with their versions of Django Unchained, Moonrise Kingdom, Best Picture winner Argo, and more. Check out these beautiful posters, and then head to Mondo’s Twitter feed for purchase details. … Read More

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Sorry, Kareem Abdul-Jabbar: Sometimes ‘B Movies’ Do Deserve Oscars

Kareem Abdul-Jabbar is apparently America’s hottest new cultural commentator, so he’s followed up his out-of-nowhere Huffington Postreview of Girls with an Esquire post explaining why Django Unchained “shouldn’t be up for Best Picture.” Not because he disliked the movie, or was troubled by its racial politics or revisionist history — to the contrary, he “liked Django Unchained and has been recommending it to everyone.” He heartily applauds the acting nomination for Christoph Waltz, and finds Samuel L. Jackson, Kerry Washignton, and “Jamie Fox” equally commendable. No, the trouble with Django Unchained, writes Mr. Abdul-Jabbar, is that it’s not reputable and respectable enough for the refined Best Picture category. … Read More

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New Oscar Categories We’d Like to See — And Who We’d Nominate to Win Them

The Academy hasn’t added any new Oscar categories since Best Animated Film was established back in 2001; that was the first in 30 years. Every winter we discuss ways to spice up the ceremony, whether it’s new hosts or new production ideas or streamlining the handing out of the statues — but maybe it’s time to rethink the categories… Read More

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Exclusive: Cocktails to Drink During the Golden Globes

We took a handful of the biggest film and TV nominees and turned them into tasty and/or jokey drinks to enhance your Golden Globes experience (and by “jokey” we mean a few of these might not sound fantastic, but they’re all drinkable, we promise). So, feel free to chug one of these suckers whenever its respective production wins an award, or just sip on your favorite throughout the evening — whatever floats your Life of Pi… Read More

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Flavorwire's Flick of the Week: 'Django Unchained' Is Top-Shelf Tarantino

Sergio Cobucci’s 1966 Spaghetti Western Django was such a phenomenal hit that it begat dozens of unofficial sequels — only one involving the personnel of the original film, which means that Quentin Tarantino’s Django Unchained falls well within the tradition of filmmakers reconfiguring the character for their own means. Though he’s endlessly respectful of his picture’s namesake, adopting its distinctive theme song and casting (with a lovely “friendly participation of” credit) original Django Franco Nero, he is, as usual, up to more than friendly borrowing, or creating in-jokes for his fellow cinephiles. The Spaghetti Western, as a subgenre, wasn’t immune from occasional silliness. But these were big, extravagant, and often emotional vehicles — they dealt in mythology and iconography, and Django Unchained finds Tarantino digging in to that element of the form with relish. … Read More

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