Here are just a few drab examples of literary disregard for our most capricious day of celebration. In with the old, out with the new! …Read More
Edith Wharton is far better known for her tales of opulent New York City life than for her time in France supporting her adopted country’s efforts during the First World War. But recent scholarship, and a new find, might change that.
What is it about bad girls that is so alluring? Maybe it’s the seized power they signify, or the agency their badness implies, or just the comebacks and leather jackets, but I always love the “bad” women in literature best. Here are some books that are blessed with such mavens, whose antics range from mere misbehavior to pure evil, who are antagonists and antiheroines and just plain heroines who just also happen to be jerks a lot of the time.
Edith Wharton’s masterpieces are great precisely because they skirt the divide between profound human observations (about our inability to change or to put ourselves on a limb to aid each other, and the exquisite futility of our longing to transcend those flaws) — with the kind of prurient, petty gossip that inspired one of Wharton’s direct literary successors, Cecily Von Zisegar of Gossip Girl fame.
I finished reading Jane Austen’s major works (and unfinished novels) in ninth grade, with Mansfield Park, and thereby officially became a completist, although I later read more of her juvenilia and claimed that title more firmly. Being a completist, or a near-completist, was nothing new to me then, coming towards the end of the era of full-on immersive early-teen reading.
The best place to go to find an unfiltered critical take on today’s hottest novels is the book-oriented social network Goodreads.
As April ushers in sunshine and flowers, and the spring holidays have adherents talking about new beginnings, the writing world is overflowing with people setting goals. Some are participating in the 100 days project, which begins today and requires doing something creative each day for 100 days straight. Others are embarking on Camp NaNoWriMo, a “practice run” month of novel-writing, and the more verse-inclined are scribbling a poem a day for National Poetry Month (either through the auspices of NaPoWriMo or not).
And even if we’re doing none of those things, but simply contemplating Ken Cosgrove’s choice to abandon his writing to get revenge on his advertising colleagues on the premiere of Mad Men, today is a good day to rededicate oneself to the craft. So here’s a collection of words from writers beyond the usual suspects — writers of color, feminists, genre writers, and even a Renaissance poet — talking about the hard work of building habits, agonizing over the writing process, and wrestling with the muse. If they don’t have you waking up at dawn tomorrow with a pen and a notebook, nothing will.
There’s never a bad time to read about historically badass ladies, but since March is Women’s History Month, now is a particularly perfect moment to bust out your library card and take in some stories of women who’ve changed art, culture, and history as we know it. Here you’ll find 50 great biographies and autobiographies of famous, fascinating, and inspiring women, from Frida Kahlo to Mina Loy to Marie …Read More
It would be unwise, unfair, and impossible to list the sexiest poems in the Western tradition. Sex, you don’t need me to tell you, is variable, personal, and subjective. “Greatness is, too,” you might add. Maybe it is. But there is something about the poetry on this list that transcends the merely “good.” These poems, which span from antiquity to today, are great poems. There is something egalitarian, too, about this selection, which more or less chose itself. Sex as a poetic subject has a way of equalizing discourse by way of its …Read More