This Friday, just like the first weekend of every May since 2007, a new movie based on a Marvel comic book will open in thousands of theaters across the country, will make all the money, and will serve as the official starter pistol for summer movie season. And for many a seasoned moviegoer, that’s a cue for despair; after all, summer has become synonymous with big, bloated, stupid blockbusters of the Transformers school. And make no mistake, there’s plenty of those on the runway this season (how ya doin’, Terminator Genisys, it’s pretty funny that you’re actually going with that spelling). But don’t go into cinematic hibernation just yet; there’s also a steady stream of first-rate indie-flick counterprogramming on the runway, and some of the big movies actually sound pretty good. So, as a public service to you, the discerning moviegoer, we’ve assembled a month-by-month look at what might actually be worth your time and …Read More
It’s a shame that after months of general release, it’s rather difficult to go into a screening of Alejandro G. Iñárritu’s Birdman or (The Unexpected Virtue of Ignorance) cold. Birdman, which is neck-and-neck with Richard Linklater’s Boyhood as the frontrunner to win the Best Picture Oscar on Sunday night, is the story of Riggan Thomson (a wonderful Michael Keaton), a washed-up actor who made his name in a ’90s superhero franchise. He’s searching for artistic redemption by staging his own show on Broadway: an adaptation of Raymond Carver’s classic short story “What We Talk About When We Talk About Love.” If you — unlike myself — were lucky enough to see Birdman without knowing much about it, I’m sure that there was an initial spark of magic as you realized that it’s a “one take” movie, with a constantly roving, circling camera that keeps the audience mostly rooted in Riggan’s point of view.