Forty years ago this week, Universal Pictures released the film adaptation of a pulpy bestseller and watched as it became a hit beyond their wildest dreams — breaking box office records, changing the movie business forever, and turning its director from a promising young hotshot into one of the most bankable filmmakers in the business. The film, as you’ve probably guessed, was Jaws, and the director was Steven Spielberg, who used that film as a launching pad into one of the most lauded (and profitable) careers in movie history. So on this anniversary of Spielberg’s ascension into the stratosphere, we look back at that career, stacking up all of his feature films to… Read More
Flavorwire Exclusive: ‘The Art of John Alvin’ Showcases Movie-Poster Rarities From ‘Blade Runner’ to ‘Jurassic Park’
Remember when movie posters were iconic? Back in those days, American artist John Alvin created some of the most crucial key art for the movies that shaped your world (and childhood, quite possibly), including E.T. the Extra-Terrestial, Blade Runner, and Gremlins, among countless others. (The Amblin look of Steven Spielberg’s ’80s films, in particular, was very “Alvin-esque.”) In the new book The Art of John Alvin, the artist’s posters stand side by side with the sketches, drawings, and other work that led up to the final result. Click through for a collection of some of his most iconic work, along with plenty you’ve probably never seen before.
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For our (unconscionably high) rent money, the best thing about living in NYC is its endless supply of fun, odd, and inspired cultural events — especially during the summer months. But with so many options, it can be hard to know where to even begin. To help you make sense of it all, we’re sharing the very best of what’s on offer this week. It’s just a taste of what you can find on the new Flavorpill, so if you like what you see, be sure to sign up.
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Profiles in History, described
It’s easy to get jaded, in this season of After Earths and Hangover IIIs and Furious 6es, but let’s remember: sometimes big summer blockbusters attain that phenomenal degree of success for a reason. There’s nothing wrong with a good, old-fashioned popcorn movie, and those that do it well deserve our praise. But in researching a recent roundup of favorite summer movies, your film editor was shocked to discover how many presumably beloved modern classics were not, in fact, universally acclaimed. So, as with award winners and cult classics, it’s time for another round of “movies the critics got dead wrong.”
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Well, kids, summer movie season is in full swing, if you couldn’t tell from the many numerically organized titles in the weekly box office reports. And while there aren’t as many movies worth celebrating this summer as you might like, it is still the season that sees studios unveiling their big guns, and accidentally capturing the national zeitgeist on the side. You know how much Flavorwire loves to peek behind the scenes of iconic movies, so that’s what we’ve done here — gathering 90 set photos from 19 summer… Read More
Welcome to “This Is a Thing,” a new monthly feature where your humble film editor will examine a piece of popular culture — a film, an album, a television special, whatever — that I wouldn’t believe existed had I not laid my own eyes upon it.
I’d heard about the Turkish films for a while. They’ve been a longtime object of fascination for bad movie connoisseurs; it seems that in the late 1970s and early 1980s, filmmakers in Turkey had something of a cottage industry in unauthorized remakes of American blockbusters, in which plots were appropriated, characters were bastardized, and music, shots, and even entire sequences of the original works were lifted wholesale (often in jarring contrast to their terrible homemade special effects). In other words, the Turks were “swedeing” movies long before Be Kind, Rewind. There was the Turkish Superman, Turkish Star Wars, Turkish Wizard of Oz, Turkish Star Trek, and so on. They were spoken of in hushed tones by lovers of terrible cinema, who swapped third-generation VHS dubs, always (and this seems a point of pride among those who view them) without subtitles. They sounded too terrible to be true, so when I spotted a copy of Badi — helpfully labeled “The Turkish E.T.” — on the shelves of my beloved World of Video, I took a deep breath and walked it up to the counter.
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