After enduring the SATs, we weren’t too fond of analogies in any form. Thankfully, artist Matthew Olin has all but erased our negative connotations with the semantic riddle. Olin, whose work we spotted on Design Taxi, uses analogies to make connections between famous fonts and even more famous superheroes. “The most distinguishing factor of any font is its characters,” Olin says of his typographic classifications. “Hidden beneath these characters, each typeface also has character — its own unique characteristics.” See a selection of Olin’s superhero-and-font pairings after the jump, and be sure to check out more of his thoughtful, analogical work here. … Read More
Helvetica vs. Comic Sans: a typography battle for the ages. Sure, Helvetica looks pretty — cool and minimalist and not trying too hard. The little black dress of fonts. But the long-maligned Comic Sans has recently emerged as its scrappy, punk-rock nemesis, the kid who toughens up and starts wearing spikes because he’s sick of getting teased. (Exhibit A: “I’m Comic Sans, Asshole.”) Enter the Comic Sans Project, a clever new Tumblr that states its mission as follows: “We are the Comic Sans Defenders. We fear no fonts and we will make the whole world Comic Sans. Because Helvetica is sooo 2011.” To that end, the blog is posting redesigned images of universally recognizable corporate logos, their trademark fonts replaced with Comic Sans. See a few of our favorite remakes after the jump, and follow the Comic Sans Project on Tumblr for more. … Read More
In this age, anything’s possible. Last week, NYLON alerted us to T_XT_RT, a group exhibition at the Jenkins Johnson Gallery in New York, which focuses on dissecting the changing relationship between text — especially the short, abbreviated texts of our modern age — and art. The exhibition explores this idea through a wide variety of mediums, from neon lights to repurposed GameBoys to altered books. Maybe this is the perfect way to make those 160-character missives we all love so much actually mean something. Click through to see a few highlights from the exhibition and check it out at the Jenkins Johnson Gallery in NYC until June 25th. … Read More
As you’ve probably noticed by now, we’re big fans of interesting typography here at Flavorpill — whether we spot it on someone’s forearm or in the MoMA’s permanent collection. With that in mind, click through for our roundup of ten of the craziest fonts we could get our hands on, from a design that’s made out of raw meat to one that’s created using beard clippings. … Read More
Now here’s a design world trend that we’d like to see catch on: e-Types, an agency based out of Copenhagen, has opened a brick and mortar concept store where customers can buy digital fonts — including many typefaces that have never been publicly available until now — in a physical space as opposed… Read More
If a new study by Princeton psychologists is any indication, we’ll be seeing a surge in ugly typefaces within the near future. After switching out straightforward text book fonts for “disfluent” ones like Comic Sans and Haettenschweiler, the team of researchers found that students’ reading retention “signiﬁcantly improved in naturalistic settings by presenting reading material in a format that is slightly harder to read.” Given the potential educational application of this evidence — as well as its inevitably misapplied implications — here’s a preemptive field guide to five of the most reviled typefaces we’ll regrettably be seeing more of soon. … Read More
The new book from preeminent alphabet historian David Sacks combines eye candy, font fetishism, and sociological etymology in a lavishly illustrated love letter to the modern A-to-Z.
Sacks examines the development of written language from the ancient to the digital world, from Medieval illuminations to advertisements, and from fine art to boxcar tagging. The result is an engaging, encyclopedic romp through our collective visual history that celebrates human creativity and cultural expression not only in the use of the written word, but in its very invention. … Read More
Taking the form of an antique type-specimen book, Retrofonts is a chronicle of the best type designs from last 150 years, with an accompanying CD containing 222 copyright-free fonts.
Munich-based graphic designer Gregor Stawinski compiled and categorized more than 360 fonts into nine chronological sections for the book, ranging from “Art Nouveau and Japonism” to “Postmodern and Punk.” The resulting 560-page volume is a compendium of the best examples of modern typeface, presented within a historical context that uses each font to visually represent a different zeitgeist. … Read More
Global-based web project CitID is enlisting the help of artists to give cities worldwide a typeface makeover. As they explain on their website, “Our hope is that creatives from around the globe will make a logo or a visual interpretation of the city closest to their heart.” We rounded up a few of our favorite designs from larger cities around the country to see if the fonts matched the local scenes; let us know what you think in the comments. … Read More
Font nerds, put your glasses on, because this comprehensive display of three-dimensional type has exited your computer screens and entered the real world. House Industries, a graphic design firm dedicated to creating a “tangible experience” around its digital type, is unleashing some of its most lauded products onto the public in a month-long exhibition at Type Directors Club in Manhattan. The show will comprise the striking prints, patterns, installations and sculptures based on House’s 16-year love affair with alphabetical… Read More