Kevin Bacon breaks the rules on The Tonight Show with Jimmy Fallon and dances himself onto the stage à… Read More
Last fall’s remake of Footloose (out on DVD next week) seems particularly well-timed — and not just because it’s the tale of an oppressed underclass rising up to fight the power. (Occupy Bomont!) Consider this: Footloose, in both of its incarnations, is the story of a deeply religious man, and an occasional politician, harboring a single-minded obsession with protecting the innocence of his flock by imposing his personal morality and biblical theology upon them. That’s right — if the 2012 election is Footloose, well, over the last couple of weeks, Rick Santorum is looking more and more like Reverend Shaw Moore. Why should we care? According to the results of a new USA Today/Gallup Poll, if we were all voting today, he’d defeat President Obama by three percentage points.
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Conan the Barbarian and Fright Night, two remakes of beloved 1980s movies (souped up with CG and 3-D, of course) hit theaters tomorrow. Earlier today, the Internet went crazy over the news that Ridley Scott is rebooting Blade Runner. With Hollywood’s seemingly never-ending series of ‘80s revamps, apparently everything old is new again, but the logic for the continued revisiting of one of cinema’s worst decades is beyond understanding. Seriously, how many honest-to-God masterpieces were there in the 1980s? A half-dozen, maybe? (For the record: Raging Bull, Do the Right Thing, Blue Velvet, Raiders, E.T., and The Thin Blue Line, but feel free to play the home game).
As we’ve discussed before, nostalgia is a powerful thing; our faculties for critical judgment aren’t always in place when we’re, say, pre-teens, and the demographically desirable audience that these films are being pitched to were either (on the far side) very young children when these films were released, or (on the younger end) kids when they first saw them on VHS. They hold the memory of those movies as a sacred thing, a talisman of childhood. But have you ever gone back to these movies? Good heavens. After the jump, we’ll take a look at ten of the most financially successful and culturally iconic movies that, come to find out, are actually terrible. Add your own in the comments; if you disagree, we’re sure you’ll let us know.
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Welcome to “Trailer Park,” the Friday feature where we collect the week’s new trailers all in one place and do a little “judging a book by its cover,” ranking them from worst to best and taking our best guess at what they may be hiding. This week, we’ve got a whopping nine new trailers, featuring everyone from Jason Statham to Miss Piggy to Antonio Banderas (twice). Check ‘em out after the jump.
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Original stories are for people who lack business smarts. With the box office success of ’80s remakes like The Karate Kid and The A-Team, Hollywood is setting its sights to the past for content. We took a look at 10 other movies from our childhood that are on their way down the production pipeline, and wondered if we should be worried. Take a look to decide if your memories are in jeopardy of being crushed or simply shared with a new generation.
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Kitsch-appreciation and guilty pleasures aside, dance movie scripts are formulaic at best. But, really, we all know that the plot is just a vehicle, a secondary excuse, for the choreographed routines themselves. As our previous posts on essential movie dance sequences have illustrated, dance routines run the gamut of styles and, in most cases, aren’t just there for theatrical flair. They have a particular significance to story and scene, communicating essential information about the characters, plot, and narrative tension — especially given the genre’s established conventions in recent years. So whether you’re someone who’s foolishly dismissed the dance movie category, or someone who already mentally choreographs routines for your own life, here’s a guide to understanding the different types of dance sequences and what they each… Read More
Forget the so-so acting and formulaic plots — there is a long and illustrious history of great dance moments captured on film. Be it Ginger Rogers and Fred Astaire tap dancing, John Travolta doing the disco, Patrick Swayze and Jennifer Gray practicing lifts in the water, or Julia Stiles fusing ballet and hip hop, everyone has a favorite dance scene that they have tried to memorize and perform. After the jump, we have compiled our favorite dance scenes from film in chronological order. We’re willing to bet you won’t stay in your chair for long.
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