Francis Ford Coppola

10 Authors Who Loved the Film Adaptations of Their Books

Last week, we had a good laugh at the recently uncovered notes from the producers of Blade Runner, who seemed united in their hatred for the “deadly dull” sci-fi noir that would prove one of the most influential movies of the ‘80s. But it’s important to remember that some of those casually involved in the production actually liked it quite a bit — particularly Philip K. Dick, whose book Do Androids Dream of Electric Sheep? was the basis of Ridley Scott’s film. And while there’s a long (and enjoyable) history of authors loathing what Hollywood does to their books, there are a few examples of writers who are utterly delighted with their page-to-film adaptations. We’ve collected them for you after the jump. … Read More

Exclusive Supercut: Gary Oldman Loses His Shit

The great Gary Oldman, one of our very favorite actors, turns 55 years old today, and while there’s much to celebrate about the actor — his tremendous range, his chameleonic physical versatility, the ease with which he juggles small and large films, the flawlessness of his American accent — we have to say that our favorite thing about him is the skill and intensity with which he goes insane onscreen. It happens fairly reliably across his filmography, and it’s always worth waiting for, so in celebration of Mr. Oldman’s birthday, we assembled a few of our favorite instances of the actor going bananas. Check it out after the jump. … Read More

The Favorite Poets of Pop Culture Characters

We’re suckers for a great cameo — as our review of last night’s celeb-heavy episode of Saturday Night Live proves — but our favorite surprise appearance belongs to literature. You may have noticed that we’re on a bit of a poetry kick lately, exploring beautiful verses about books, the favorite love poems of great poets, and more. To those who say poetry is dead, we offer ten pop culture characters and the poets they turned to for inspiration — which revealed the internal dialogue running rampant through their minds. … Read More

The Embarrassing Early Films of Oscar-Winning Directors

Argo, Ben Affleck’s third feature film, is looking more and more like a lock for the Best Picture prize at Sunday’s Oscars, and even if the man himself didn’t get a Best Director nomination, it’s still a remarkable culmination of one of the most fascinating second acts in Hollywood. The actor-turned-director seemed shockingly confident and assured in his first feature, 2007’s marvelous Gone Baby Gone, but as The Playlist reminded us this week, his first film (pre-Good Will Hunting, even) was a 1993 short inventively titled I Killed My Lesbian Wife, Ηung Ηer on a Μeathook & Νow I Have a Three-Picture Deal with Disney. It is, as is often the case with these things, not very good, and (to his credit) Affleck is the first one to admit it: “It’s horrible. It’s atrocious. I knew I wanted to be a director, and I did a couple of short films, and this is the only one that haunts me. I’m not proud of it. It looks like it was made by someone who has no prospects, no promise.” But Affleck can take comfort in the fact that he’s not the only filmmaker with a cinematic skeleton in his closet: we found eight auteurs who rose to the Best Director Oscar from rather humble cinematic beginnings. … Read More

The Quintessential American Movie of Every Decade, 1920s-Present

BAMcinématek’s A Pryor Engagement retrospective, which we told you about a couple of weeks back, is unfortunately coming to an end this week — but not before tonight’s screening of a film that most consider not only lesser Pryor, but a fairly middling and forgettable effort in general. Your film editor disagrees. The picture is called Brewster’s Millions, a 1985 comedy that pairs up Richard Pryor and John Candy, and it’s not just a funny kick of a buddy movie (though it is that); it is, we contend, nothing less than the quintessential American 1980s motion picture. We’ll explain why in due course. In the meantime, inspired by this particular take on Millions, we decided to comb through the annals of cinema history and determine which films were most specifically of their decades. We’re not saying that these are the very best films of their time (though some were); rather, we feel that each is specific to their time, and summed it up in a unique way. We’ll go from the 1920s to the 2000s, and explain our choices along the way. … Read More

Five Movie Comebacks That Worked (and Five That Didn’t)

“RETIREMENT IS FOR SISSIES!” roar the posters for The Last Stand (seriously? “Sissies?” In 2012? But I digress…), the first starring role for Arnold Schwarzenegger since stepping away from the silver screen for a, shall we say, problematic stint in the California governor’s mansion. Its mid-January release date doesn’t exactly scream box-office or critical confidence, but who knows; Mr. Schwarzenegger has been underestimated before, and usually comes out ahead. Either way it goes, we thought it would be interesting to run down some of the other big-name actors who hit rough or absent patches and tried to work their way back into the spotlight with a well placed role; after the jump we’ll take a look at five comeback vehicles that took, and five that didn’t quite get the job done. … Read More

Francis Ford Coppola Readying New York-Based Epic Spanning Five Decades

A five-film Francis Ford Coppola Blu-ray set arrives in stores today, perfectly timed with some exciting news that the Godfather director shared in a recent interview about his 53-year-long career with EW. Recently, it was announced that the legendary filmmaker would be moving his office to the Paramount lot. Coppola filmed several works there, including his iconic mafia movie The Godfather, The Conversation, and Tucker: The Man and His Dream. We had visions of the director returning to his roots and the grandiose epics that made him famous, taking a left turn from the small-scale, intimate features he’s been creating lately. It seems that we will indeed be seeing a new Coppola movie that recalls the greatest hits of his 1970′s filmography. He told EW: … Read More

Awesome Storyboards from 15 of Your Favorite Films

With storyboards on our mind lately thanks to their use in both the opening sequence and the climax of Argo, we decided to put together a gallery of our favorites from iconic… Read More

A User’s Guide to Essential Anthology Films

This Friday marks the theatrical release of V/H/S, a chilling and genuinely effective found-footage anthology from directors Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, and Radio Silence. (It’s available on demand now.) As scary and unnerving as it is, however, it does fall prey to the seemingly inevitable pitfall of a multi-director anthology film: there are a couple of sections that simply aren’t as good as the rest of the film. When you think about it, it’s bound to happen; even if the filmmakers assembled are all talented, there’s a pretty good chance at least one participant will have difficulty conforming to the short form, or will have trouble measuring up to the others, or just might be off their game. As a result, very few completely great anthology movies have been made — most at least have a couple of segments that don’t fit.

But that’s the joy of DVD: in your living room, you can do the editing job that their fellow filmmakers were too polite to perform. After the jump, we’ll take a look at a few of the best-known multi-director anthology movies, and offer up some viewing suggestions for them. … Read More

10 Films Surprisingly Created Without CGI

We live in a movie universe where the Michael Bays and James Camerons of Hollywood are crafting their on-screen worlds with the help of incredible computer-aided technology. These filmmakers create works where anything seems possible, and while it’s often stunning to behold, many moviegoers are already tired of watching disaster porn and motion capture performances that aim to be real, but never truly feel like the tangible celluloid of yore. What many of those audiences don’t realize, however, is that several big-budget films have stuck to their practical effects-loving guns and have dodged the CGI monster at every… Read More