That rock snobs see pop as bland and boring is one of the most mind-boggling mysteries of our time. Sure, the stereotype has some basis; historically, pop music has played it safe. It’s been the kind of entertainment that could babysit little kids while their parents watched Basic Instinct in the next room. Pop is known as the wholesome, family-friendly alternative to rock music, which has always enjoyed a tawdry reputation. Where pop exalted true love, rock exalted bed-hopping; where pop encouraged moderation, rock reveled in excess. It’s a holy binary that has existed since rock’s birth in the ’50s.
But in the past decade, it seems rock and pop have reversed roles. We could attribute the shift to the number of pop star aspirants, which has multiplied astronomically — thanks to reality TV, the death throes of the major labels, etc. A lot more people are competing for the attention of the same audience, and when traditional pop tropes failed to get attention, shock and awe have done the trick.
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