Glee does not handle tragedy well, and that thought was in the forefront of my mind after star Cory Monteith’s… Read More
Asperger syndrome is no longer in the Diagnostic and Statistical Manual of Mental Disorders — the DSM kids are calling it an autism spectrum disorder these days — but it’s still all over our television screens. It seems like no TV show is complete anymore without a charming and/or abrasive weirdo who has issues with social cues, eye contact, and the occasional hallucination involving deer antlers.
As both a person with Asperger’s and an obsessive television watcher, these characters are pretty serious business for me, and it’s important to me that writers and actors portray them as accurately and honestly as possible. I also want to make sure they’re entertaining. So, using my mad meticulous and intensely focused spectral skills, I’ve assessed 15 of the small screen’s Aspergian, autistic, and “autistish” characters and ranked them from best to… Read More
For me, it was River Phoenix, particularly of the Stand By Me days. The other day I put that movie on while I was sorting laundry, and I admit, I am still a little proud of my tweenage self for that crush. Twenty years on, he’s still a really good actor, stormily romantic even before that sky broke open. I still remember the twist in my stomach when I heard he’d overdosed on a sidewalk, the first edition of a feeling I’d come to understand is just a part of paying attention to celebrities at all. … Read More
Girls, Boardwalk Empire, and Mad Men are just a few of the current series that push the boundaries of how we view television, but there have been numerous TV shows that stretched the limits of prime time. Controversy has followed trailblazing showrunners and writers who introduced graphic stories, radical characters, and uncomfortable subjects to an audience of millions watching at home. We’ve rounded up ten of the most controversial television episodes and found out what their creators had to say about them. … Read More
There must be something in the air this week, because on the same morning that Glee‘s flaccid attempt at Radiohead’s “Creep” did the rounds on various music blogs, World of Wonder reposted Barbra Streisand’s bewildering cover of David Bowie’s “Life on Mars.” This double dose of ghastliness got us thinking about the singular hubris of so many covers that purport to “improve” a song by removing exactly what made it special in the first place. The history of music is littered with these boring renditions of great songs, so for a laugh on a Friday afternoon, here’s a roundup of the most egregious. Try not to throw your computer out the window before you get to the end. … Read More
Sunday night, viewers of History’s hit miniseries The Bible (haven’t read the book; does the show work as a standalone?) were given their first look at Satan — and several immediately took to Twitter, pointing out what they saw as a marked resemblance to the President. Good ol’ Glenn Beck led the way, tweeting “Anyone else think the Devil in #TheBible Sunday on HIstory (sic) Channel looks exactly like That Guy?” (Beck apparently uses “That Guy” as a substitute for Obama, whose name he refuses to say, because Glenn Beck is a child.) Though the show’s producers have dismissed the connection, we’ve gotta say — he’s kind of a dead ringer. On the other hand, politicians are so ubiquitous that it’s pretty easy to find resemblances in pop culture. Don’t believe us? Here’s a few more examples. … Read More
This week, we read a great article over at Vulture on the state of the romantic comedy — or more specifically, its rapid decline in recent years. In the article, studio execs and directors throw around possible reasonings (they don’t have enough production values to justify a big-screen viewing, we just don’t care about love as much anymore), but as Vulture’s Claude Brodesser-Akner pointed out, “though the genre is suffering at the box office, it is hard to believe that the very idea of a romantic comedy is completely losing favor. After all, what are sitcoms’ “will-they-won’t-they” arcs other than long romantic comedies?” Indeed.
In fact, while there have always been “rom-com” sitcoms (Mad About You, Friends), we feel like we’ve seen an uptick in both the number and quality in recent years. We also tend to care about characters in TV shows more than we do for their film counterparts — after all, when you spend time with the same characters week after week, over months or years, you tend to be more invested in their exploits. After the jump, we take a look at a few TV shows that could be replacing our need to see romantic comedies in the theaters. Do you agree, or do you think that despite the current rocky ground, traditional rom-coms will always have a place in our hearts? … Read More
Are you as tired of lazy generalizations about musical theater as I am? With Broadway’s move onto both the cinema and television screen, these generalizations have only gotten sloppier. For starters, we could at least separate the films from the television series. Critics speak as if Glee, Pitch Perfect, and Smash were all the same thing – and that thing they condense them into is deemed, ultimately, pretty awful. With the heavy anticipation for Tom Hooper’s film adaptation of Les Miserables, I’ve only been reminded of how very boring the Broadway backlash can be. Over at Grantland’s 2012 Oscar Roundtable, we were told that, “Gloriously, there doesn’t even seem to be anything ridiculous in the running for a nomination at this point, unless the Les Mis hype is coming from the same unfortunate place that leads people to watch Smash.” I mean, I guess Les Mis and Smash are the same thing, and I guess their viewers can’t tell a star-driven remake of a famous rock opera apart from a television series about an unknown musical performed by unknown stars. … Read More