“RETIREMENT IS FOR SISSIES!” roar the posters for The Last Stand (seriously? “Sissies?” In 2012? But I digress…), the first starring role for Arnold Schwarzenegger since stepping away from the silver screen for a, shall we say, problematic stint in the California governor’s mansion. Its mid-January release date doesn’t exactly scream box-office or critical confidence, but who knows; Mr. Schwarzenegger has been underestimated before, and usually comes out ahead. Either way it goes, we thought it would be interesting to run down some of the other big-name actors who hit rough or absent patches and tried to work their way back into the spotlight with a well placed role; after the jump we’ll take a look at five comeback vehicles that took, and five that didn’t quite get the job done. … Read More
Although he won critical acclaim for several award-winning performances — including a role in Civil War movie Friendly Persuasion as a young man drawn to battle to protect his family and a part in May-December romantic drama Goodbye Again — multifaceted talent Anthony Perkins will forever and always be known as Norman Bates in Hitchcock’s Psycho. Immortalized on celluloid as the meek and deeply troubled murderer, Perkins’ — who would have been 80-years-old today — played Bates with a boyish vulnerability, quiet charm, and repressed anxiety that Hitchcock skillfully helped mold into one of the greatest screen villains of all time.
Many have said that Bates’ most unfortunate victim was Anthony Perkins, and that the character eventually consumed him — at least through three other sequels that spanned into the ’90s. “Without Pyscho, who’s to say if I would have endured?” Perkins once told the New York Times.
What other actors never escaped their biggest roles? We explored the careers of a few stars past the jump. Sometimes the deal of a lifetime can haunt you, making you wonder who is playing whom in the end. (And sometimes it’s not always a bad thing.) Check out our picks, and drop your faves in the comments section. … Read More
Ah, New Year’s Eve — that special night of the year where we put so pressure on ourselves to have a great time, have a great time, HAVE A GREAT TIME that we end up, inevitably, having a really lousy time. (Don’t pretend like it’s just me.) Part of our self-imposed pressure to enjoy ourselves on the last night of the year is, we contend, the fault of movies, which often present the evening as an occasion for joyous celebration, thoughtful reflection, and new beginnings (often with a new object of affection). But some films also recognize the nightmare of New Year’s Eve, and dramatize that. We’ve assembled a few examples of each after the jump, and humbly present ten on-screen New Year’s Eves that we find memorable — for reasons both good and bad. All will make fine New Year’s Eve viewing — and are far better than New Year’s Eve. … Read More