F

Flavorwire

Jack Lemmon

Film

The Best Punchlines in Film

By Jason Bailey on

A couple of weeks back, we perused the entirety of film history and pulled out our very favorite break-up lines — the meanest, the sharpest, and the funniest. For a follow-up, we decided to focus on the latter: selecting some of the best punchlines ever uttered in movies. By definition, a punchline isn’t just a funny bit of dialogue or an amusingly awkward moment: it’s the payoff to a setup, whether in situation or dialogue, and thus must be carefully teed up and smoothly executed. We think these 25 examples do just that, with panache. … Read More

Film

The Saddest Comedies Ever Made

By Jason Bailey on

As we move into Thanksgiving week, DVD players and cable networks across the land will be cuing up our favorite turkey day movie, Planes, Trains, and Automobiles. One of its viewers may very well be Flavorwire favorite Emma Stone, who recently told Entertainment Weekly that Planes is the movie that made her want to be an actor — specifically, Steve Martin’s late-night motel “Chatty Cathy” tirade. Miss Stone explains, “You go from laughing hilariously at Steve Martin to your heart breaking for John Candy in that one scene, and that was, I think, the first time that I saw that you could do both.” Planes, Trains wasn’t the first movie to prove that you could “do both” — i.e., mesh the funny and the sad with equal effectiveness. But it’s one of the best, and after the jump, we’ll take a look at that and a few other very sad comedies. … Read More

Film

The 10 Grumpiest Movies Ever Made

By Jason Bailey on

Fresh from his spirited/baffling two-act with an empty chair at last month’s Republican National Convention, Clint Eastwood is back in theaters this week with Trouble with the Curve, in which he apparently plays an old school baseball scout who’s had it up to here with you damn kids and your money-ballin’ and whatnot. “A computer can’t tell if a kid’s got instincts,” he growls in the trailer, in the general direction of poor Matthew Lillard, playing the obligatory role of the smug young hotshot who must be shown what’s-what by the old pro.

Yep, Clint’s in full-on old coot mode in Trouble with the Curve, the last example of what’s best defined as a “grumpy old man” movie — in which a gent of advanced age grunts and snarls and yells at the whippersnappers, and usually ends up demonstrating how it’s done (whatever each movie’s “it” may be). After the jump, ten more movies that want you to get the hell of their lawn. … Read More

Film

Flavorpill’s Guide to Movies You Need to Stream This Week

By Jason Bailey on

Welcome to Flavorpill’s streaming movie guide, in which we help you sift through the scores of movies streaming on Netflix, Hulu, and other services to find the best of the recently available, freshly relevant, or soon to expire. This week, we’ve got great titles from the likes of Alec Baldwin, Steve Martin, Al Pacino, Jack Lemmon, Buster Keaton, J.J. Abrams, Oliver Stone, Max Ophuls, Gaspar Noé, and the creators of Mystery Science Theater 3000; check them all out after the jump, and follow the title links to watch them right now. … Read More

Film

Our All-Time Favorite Actor/Director Movie Teams

By Jason Bailey on

Dark Shadows opens this week, whether we like it or not, but it does give us cause to pause for numerical consideration. No, we’re not talking about the amount of time since Tim Burton’s last film that was based on an original idea — that would be seven years, since Corpse Bride. Before that, you have to go clear back to 1990′s Edward Scissorhands, which was also (coincidentally enough) his first time working with Dark Shadows star Johnny Depp. Dark Shadows marks their eighth collaboration, which got us thinking about some of our favorite (and most productive, with a minimum of four pairings) actor/director teams. After the jump, we’ve compiled a dozen of the best from movie history; add your own in the comments, won’t you? … Read More

Film

Oscar’s Most Insane, Illogical Award Choices

By Jason Bailey on

This year’s Academy Awards are just around the corner (well, okay, they’re still a week and a half away, so it’s more like around the corner, down a little, second door on the left), and while we can’t help but get a little excited about Hollywood’s big night, we’re also being very careful to keep our expectations in check. We’ve already lamented the many worthwhile films and performances that were unduly snubbed by the Academy of Motion Picture Arts and Sciences at the nominations phase; when Sunday the 26th rolls around, you can bet the farm that the AMPAS will confound us again by making at least a couple of spectacularly bone-headed choices. There’s a long and storied history of the Oscar simply going to the wrong damn person or movie, countless cases where a peek back at the list of nominees and the eventual winner provokes confusion, rage, or at the very least, a bit of head-scratching. After the jump, we’ve gathered ten of the most egregious examples. … Read More

Film

The Worst Acting Snubs in Oscars History

By Jason Bailey on

Now that we’ve all had the chance to let last week’s Oscar nominations sink in, the general consensus of complaint (and that’s always what they boil down to) appears to have settled on the acting nominations — specifically, the rather shocking number of brilliant performances that were snubbed outright, against expectations. Tilda Swinton, for example, was presumed a shoo-in; same goes for Albert Brooks and, to a lesser degree, Charlize Theron and Kirsten Dunst. We won’t rehash everyone who got shafted; the point is, it happened, as it seems to every year. The Academy of Motion Picture Arts & Sciences has a long and storied history of shutting out great performances; after the jump, we’ve assembled ten iconic acting turns that we were stunned to discover weren’t even nominated for the Oscar. … Read More

Film

10 Memorable Cinematic New Year’s Eves

By Jason Bailey on

Ah, New Year’s Eve — that special night of the year where we put so pressure on ourselves to have a great time, have a great time, HAVE A GREAT TIME that we end up, inevitably, having a really lousy time. (Don’t pretend like it’s just me.) Part of our self-imposed pressure to enjoy ourselves on the last night of the year is, we contend, the fault of movies, which often present the evening as an occasion for joyous celebration, thoughtful reflection, and new beginnings (often with a new object of affection). But some films also recognize the nightmare of New Year’s Eve, and dramatize that. We’ve assembled a few examples of each after the jump, and humbly present ten on-screen New Year’s Eves that we find memorable — for reasons both good and bad. All will make fine New Year’s Eve viewing — and are far better than New Year’s Eve. … Read More

Film

The Best Ensemble Casts in Movie History

By Jason Bailey on

Margin Call, a fact-based thriller concerning the beginning of the financial crisis, opens tomorrow with a stellar ensemble cast that includes Kevin Spacey, Jeremy Irons, Stanley Tucci, Zachary Quinto, Paul Bettany, Simon Baker, and Mary McDonnell. (And Demi Moore. Hey, can’t win ‘em all.) Throw in last month’s Contagion (featuring Matt Damon, Kate Winslet, Jude Law, Gwyneth Paltrow, Laurence Fishburne, Bryan Cranston, Marion Cotillard, and Elliott Gould) and December’s Tinker Tailor Soldier Spy (with Gary Oldman, Colin Firth, Tom Hardy, John Hurt, Toby Jones, and Mark Strong), and this is starting to look like the Season of the Ensemble. In celebration of these smart, adult movies flush with Oscar winners and fine character performers, we’ve assembled some of our favorite big-cast ensemble movies after the jump — check it out, and throw in your own in the comments. … Read More