Jamie Foxx

25 Must-See Movies For the Fall

Hey there reader, been to the movies lately? If the box office reports are any indication, I’m guessing not — and who can blame you? We’re currently in the weird dead zone between the tentpole blockbusters of the summer and the prestige, Oscar-friendly pictures (and, increasingly, tentpole blockbusters) of the fall. But relief will be here soon enough, so in the interest of helping you mark up your movie-going calendar, we’re looking ahead to the fall films we’re anticipating most. … Read More

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Jamie Foxx to Star in Mike Tyson Biopic

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Watch the First Trailer for ‘Horrible Bosses 2′

Horrible Bosses was something of a surprise summer hit for Warner Brothers back in 2011—an R-rated comedy (never a… Read More

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It’s Time to Kill the Spider-Man Franchise

I can’t speak for anyone else, but after spending a total of 665 minutes with him, in five movies over the course of a decade, I think it’s safe to say that I know all I need to know about Spider-Man. The Amazing Spider-Man 2 is out in theaters Friday, and it will certainly make a bazillion dollars, but after you sit through it — all 142 fucking minutes of it — it’s very hard to work up a compelling reason that it needed to exist, aside from the aforementioned bazillion dollars. It’s not just that it’s clumsily executed, aggressively stupid, and excruciatingly overlong (did I mention the 142 minutes?). It’s that, five films in, they’re still giving us — I’m not making this up — an origin story. Attention, Hollywood: We get it. Shy kid, fights crime, flies around, shoots the webs. We don’t need a Russian novel’s worth of backstory on this character; at this point, I know more about Peter Parker’s youth than the childhoods of people I share a bloodline with. … Read More

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13 Great New-to-Netflix Movies to Stream This Holiday Weekend

Well, friends, spring is in the air (occasional lingering thundersnow aside), and Easter weekend is upon us, which could mean several things for you: participation in some sort of egg hunt, consumption of massive quantities of chocolate and sugar, a biannual visit to some sort of house of worship. Or it might just mean hanging out on the couch/in bed all weekend like it’s any other weekend. Your Flavorwire can’t help much with the first batch of items, but if you’re vegging out this holiday weekend, we’ve got a handful of noteworthy titles that have arrived (either for the first time, or for a return stint) over the past couple of weeks over at Netflix. Click through, fill your queue, and clear a day or two. … Read More

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25 ‘Die Hard’ Knockoffs for ‘Die Hard’s’ 25th Anniversary

Break out your blood-smeared undershirt and go crawl around in an air duct: this month marks the 25th anniversary of the release of Die Hard, John McTiernan’s seminal action movie that made Bruce Willis a star, Alan Rickman a go-to villain, and the simple formula of a lone hero, a contained location, and a brilliant supervillian into one of Hollywood’s most durable. And though Fox paid its own dubious tribute to the franchise with its most recent sequel, the true testament to the film’s influence is the sheer volume of Die Hard imitators unleashed in the quarter-century since its release. … Read More

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3 Lessons Hollywood Should Learn from This Summer’s 3 Big-Budget Bombs

After a protracted production period, a series of cancellations and restarts, and a lengthy conversation over racism and representation, Disney’s big-budget, big-screen adaptation of The Lone Ranger landed in theaters over the holiday weekend, and the results weren’t pretty. Its five-day domestic gross was a mere $48.9 million (with just under $30 million more coming in from foreign markets), meaning that the Mouse House is going to take a real bath on the picture — its budget was somewhere in the neighborhood of $250 million, and that’s before its substantial marketing and distribution costs. As The Hollywood Reporter notes, that means we’re only halfway into summer movie season, but we’ve already seen three very high-profile belly flops. What’s going wrong? … Read More

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Gorgeous Artwork Inspired by Your Favorite Modern-Classic Movies

Alice X. Zhang is a designer and illustrator with a love for movies, and that affection is clearly displayed in Moments, her upcoming solo show at the Bottleneck Gallery in Brooklyn. Zhang’s gorgeous images masterfully capture the essence of such modern classics as Pulp Fiction, There Will Be Blood, Eternal Sunshine of the Spotless Mind, and Moonrise Kingdom; here’s a few highlights from the show, which opens Friday and runs through the month. … Read More

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Great Movies With Embarrassingly Bad DVD Art

You can’t judge a book by its cover, as we’ve recently discovered with not only books, but also music. That holds true with film as well — not just with movie posters, which have their own problematic elements, but when it comes time to sell you the movie in physical form. For years, DVD distributors have uglified some of our favorite movies — often even eschewing the classy and striking movie posters for Photoshopped, Frankensteined monstrosities of their own making, designed to move units at all costs. We’ve assembled some of the ugliest and most terrifying DVD images for movies we actually like — and provided their original posters as well, just so you can see how far they can fall. … Read More

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Flavorwire's Flick of the Week: 'Django Unchained' Is Top-Shelf Tarantino

Sergio Cobucci’s 1966 Spaghetti Western Django was such a phenomenal hit that it begat dozens of unofficial sequels — only one involving the personnel of the original film, which means that Quentin Tarantino’s Django Unchained falls well within the tradition of filmmakers reconfiguring the character for their own means. Though he’s endlessly respectful of his picture’s namesake, adopting its distinctive theme song and casting (with a lovely “friendly participation of” credit) original Django Franco Nero, he is, as usual, up to more than friendly borrowing, or creating in-jokes for his fellow cinephiles. The Spaghetti Western, as a subgenre, wasn’t immune from occasional silliness. But these were big, extravagant, and often emotional vehicles — they dealt in mythology and iconography, and Django Unchained finds Tarantino digging in to that element of the form with relish. … Read More

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