“Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing,” the great Akira Kurosawa once said. The statement forms the basis for his 1950 movie, Rashômon — a film credited with introducing Japanese cinema to worldwide audiences after winning the Golden Lion at the Venice Film Festival. Rashômon tells a non-linear story about a brutal rape and murder in the woods from four different, fallible perspectives. There is no ultimate resolution, and audiences are left questioning the nature of truth and perception. It’s a hypnotic and ambiguous journey. Kurosawa’s existential masterpiece has been given the Criterion Blu-ray treatment, and we thought it would be the perfect time to revisit other essential Japanese films. Head past the break to see what works made the cut. Since this is just the tip of the iceberg, feel free to add to our list in the comments section. … Read More
Japanese cinema
Exclusive: An Interview with Still Walking’s Hirokazu Kore-eda
Hirokazu Kore-eda’s After Life imagined a hereafter in which the dearly departed face a profound order: single out a favorite memory to retain for eternity, with the rest left to the ether. Memory is one of the acclaimed Japanese director’s obsessions, along with loss and what happens to those left in that wake. Whether Maborosi’s disconcerted widow or the young brood abandoned in a Tokyo apartment by their mother in Nobody Knows, Kore-eda’s characters are vulnerable but never exploited. Quite the contrary: he treats each lived-in presence with an empathy that traces back to his earlier years of lensing humanistic documentaries for Japanese… Read More
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