Did you ever get that sense while binge-watching Orange Is the New Black that you were experiencing something so close to being… Read More
Ah, yes, celebrities: they’re just like us. Which means some of them are just as annoying as your aunt on Facebook, as unnecessarily cranky as your old college roommate on Twitter, and as insufferable as your #humblebrag colleague on Instagram. They’re basically The Worst, with the icing on the cake being that they have a built-in web audience since they’re celebrities. Here’s a guide to the worst offenders, from Ted Nugent to Jason Biggs to… Read More
Now That Publicists Control Interviews, Let’s Thank Twitter for Revealing Which Celebrities Are Secretly Terrible
Back in 1970, Esquire ran a remarkable Lee Marvin interview, conducted by Roger Ebert. Actually, “conducted” is a bit of a strong word; as was his style in those days, he merely sat back and observed, the piece less a Q&A and more a series of impressions of the man. Marvin, who was drunk when the session began, spends the afternoon drinking more beer, listening to records, groping his girlfriend, joking about his infidelities, and talking shit. It’s a great interview — and the kind of thing you can’t imagine any star doing today. “These days the publicists only want to present the soundbite opportunity,” Ebert said of the piece years later, and he was right. We seldom get the chance to observe actors being, it seems, anything close to their actual selves. Except on Twitter. And that brings us to Jason Biggs, who (in this and many other ways) is no Lee Marvin.
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With Woody Allen’s new movie Blue Jasmine hitting screens this weekend, several outlets have taken the opportunity to rank Allen’s extensive filmography. But instead of taking on that job (which, lets face it, usually ends up with some cluster of Annie Hall, Manhattan, Purple Rose of Cairo, and Crimes and Misdemeanors at the top anyway), let’s take a look at some of Allen’s less-recognized… Read More
The proverb that a child’s mind is like a sponge can be as much a source of wonder as of vexation. Unlike primetime sitcoms and hour-long dramas on HBO, viewers tend to agree that children’s television must be driven by a higher purpose, and must deliver the right message. As a result, even when the programming seems lighthearted and beyond the reach of politics, the debate about kids TV can verge on bitter acrimony, whether it’s a show about neighborhood kids who love to share (“socialist propaganda”) or a hero who delivers the benefits of civilization to his fellow elephants (“promotes colonialism”). Concerned parents and uninvolved critics have always had something to say about the culture kids are exposed to. After the jump, inspired by the news that a Russian kids’ show was pulled off the air after a joke about Putin’s divorce, are a few controversies that have arisen in recent memory.
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Woody Allen’s flawed but funny new film To Rome with Love opens this Friday, and while it marks his first acting appearance in one of his movies since 2006’s Scoop, he plays the role of a retired father while continuing his tradition of writing his leading man as a “Woody Allen role” — played, in this film, by Jesse Eisenberg. In his early works, Allen would occasionally engage a young actor to play himself as a child, but as he got too old to play the leading man (okay, let’s face it, after he’d gotten a little too old to play the leading man), he began putting younger actors in roles that were still distinctively Woody-esque, and which said actors played as varying degrees of imitation. We’ve assembled a montage of those actors and some of their most Allen-inspired moments; check out our latest video essay after the jump.
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Every Friday here at Flavorwire, we like to gather up the week’s new movie trailers, give them a look-see, and rank them from worst to best — while taking a guess or two at what they might tell us (or hide from us) about the movies they’re promoting. We’ve got ten new trailers for you this week, including the American Pie sequel (yes, another one) American Reunion, the end-of-the-world thriller 4:44 Last Day on Earth, a new indie featuring (and produced by) Nick Offerman, and the latest effort from the fine folks at Pixar. Check ’em all out after the jump, and share your thoughts in the comments.
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Welcome to “Trailer Park,” our regular Friday feature where we collect the week’s new trailers all in one place and do a little “judging a book by its cover,” ranking them from worst to best and taking our best guess at what they may be hiding. We’ve got eight new trailers this week, running the gamut from a big-budget superhero all-star tentpole to indies about cross-dressing and prostitution. Check ’em out after the jump.
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A list of the TV pilots ordered for fall arrived this week. Amidst the token lawyer shows (David Kelley delivers Legally Mad), crime shows (NCIS: LL Cool J), and spinoffs (Gossip Girl is colonizing with Lily), there’s some promise. Loosely based off the film, Eastwick is a “supernatural tale” of three witches in… Read More