Well, it happened: in a plot line about half a sentence removed from an Onion story, The Newsroom decided to take on the Boston Marathon. Character-wise, we begin the final season almost exactly where we left off, except Meryl Streep’s daughter is now working for ACN as a blogger, complete with a roped-off little blogger pen proclaiming she’s a part of “ACN DIGITAL,” not the actual News Night team. Anyway, Aaron Sorkin has claimed that one of his biggest regrets from the show was giving journalists the impression he’s telling them how to do their jobs. That may be true, but “Boston” sure doesn’t show it. … Read More
Dumb and Dumber, the 1994 slapstick classic, doesn’t seem ripe for a sequel. The movie, though it succeeded impressively… Read More
Dumb and Dumber was a giant money-maker for New Line Cinema back in 1994, grossing nearly $250 million worldwide… Read More
The Emmys last night were very long and very boring. I’m not sure poor Neil Patrick Harris got to crack a single funny joke all night, and by the time he lifted the champagne glass at the end, he really seemed to need it. So did the audience, I think. This was an unusually pointless Emmys, and it’s not like there was a high bar to begin with. But 2013 distinguished itself with too many in-memoriam segments and long interludes, and not a single speech of note other than the one near the top of this list. Luckily, Flavorwire watched the Emmys so you didn’t have to. Here are the 10 moments everyone will be talking about this… Read More
What gets your attention first about Rian Johnson’s Looper is its speed — on a basic level, it’s just a very fast movie, the text, cuts, and exposition coming at the audience hard and sharp. That pace is established in its opening scene, in which its hero (Joseph Gordon-Levitt) stands in a field, checks his watch, takes out his earbuds, and waits. The second a hooded body magically appears in front of him, he blows the poor soul away. Boom, cut, next scene.
Looper is a movie that wears its jazzy, ebullient style on its sleeve. Writer/director Johnson, who previously crafted the smashing Brick and the enchanting Brothers Bloom, is one of our giddier filmmakers — he’s intoxicated with the sheer act of movie making, and his enthusiasm is infectious. But he’s also got a magician’s gift for diversion; in retrospect, one of the most remarkable things about Looper is how it starts as one movie, and then slyly transforms itself into something else entirely. … Read More
We — and every other TV connoisseur in America — have been counting down the days till the debut of Aaron Sorkin’s new HBO drama, The Newsroom, since the show was announced several months ago. But while we’ll still be watching the premiere this Sunday, the sheer number of negative reviews that have already been published is starting to worry us. While a few critics are sticking up for the show — The Hollywood Reporter praises its strong cast and engagement with complex issues — the majority seem fairly unhappy. How could critics possibly like an Aaron Sorkin TV show about cable news (Metacritic score: 56) less than the Dallas reboot (62)? After the jump, we take a look at the reviews to see what’s turning them off. … Read More
1. Ashton Kutcher has signed on to play Steve Jobs in a new indie film that “chronicles Jobs from wayward hippie to co-founder of Apple and one of the most revered creative entrepreneurs of our time.” While it seems like a bit of an odd casting choice, we suppose there is a slight resemblance. [via… Read More
The weekend’s big movie, as you well know, was The Hunger Games, while DVD and Blu-ray players have been firing up Fincher’s Girl with the Dragon Tattoo since its release last week. The two films have a lot in common: powerful female protagonists, adaptations of bestsellers, probable franchise kick-offs. As such, they were also each objects of carefully considered casting. It’s become part of the pre-production process, the bandying about of potential name actors for high-profile roles; Fincher reportedly talked to Carey Mulligan, Keira Knightley, Anne Hathaway, Natalie Portman, Kristen Stewart, and Scarlett Johansson before settling on Rooney Mara as Lisbeth Salander, while Hunger Games director Gary Ross’ alternate Katnisses included Hailee Steinfeld, Abigail Breslin, Emma Roberts, Chloe Moretz, and Saoirse Ronan.
Contemplating proxy casting choices is a fun parlor game for movie fans (perhaps second only to considering movies that never came to pass at all). After the jump, we’ll take a look at a dozen iconic movie roles, and the actors who almost, almost filled them. … Read More