Jim Henson

20 Years Later, ‘Dinosaurs’ Is Still TV’s Weirdest Family Sitcom

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Sometimes I’m convinced that Dinosaurs was just a fever dream. A four-season, 65-episode-long fever dream about clunky dinosaur puppets going through the motions of a typical human family. The bumbling father is a Megalosaurus who works a blue-collar job while his Allosaurus wife stays home to tend to housework. Their children grapple with puberty, homework, and crushes. They also train humans to do tricks and secretly experiment with eating vegetables. To put it bluntly: Dinosaurs is a show so weird that it shouldn’t have existed. It’s been 20 years since Dinosaurs aired its bizarrely depressing series finale, but it still remains the strangest — and funniest — approach to the family sitcom.
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The Muppets as ‘Twin Peaks’ Characters: Who Killed Miss Piggy?

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The earnestness that fuels Kyle MacLachlan’s Agent Cooper could also be pretty applicable to another much-loved character: Kermit the Frog. In fact, it’s kind of spooky to see how easily The Muppets take to the world of David Lynch’s classic Twin Peaks. In Justin DeVine’s paintings (spotted via Welcome to Twin Peaks), the Muppets have a damn fine cup of coffee, the Log Lady is Fozzie Bear, and it’s all very, very amusing. So far, DeVine has done six watercolor portraits in pen and ink, and he’s promising more. Keep an eye on his Tumblr.
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10 Movies You’ve Been Watching in Altered Versions

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Some play tennis, some memorize baseball stats, some decorate toilet seat lids. Point is, everyone’s got a hobby, but Christopher Orgeron spent his past two years of free time on a genuinely unusual project: restoring The Dark Crystal to its original, darker version. Wait, you’re thinking. I didn’t know there was an original, darker version of that, especially since the version they released was such hardcore nightmare fuel if you were a small child in the early ‘80s (OK, now I’m just projecting). Well, if you do enough poking around in Hollywood history, you’ll find there was an original, darker version of a whole lot of movies, which studio execs and other muckety-mucks demanded filmmakers brighten up before they saw the light of a projector.
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