Judd Apatow

Fey, Poehler, Maron, and Apatow Begin Stand-Up’s Overdue Reckoning With Bill Cosby’s Comedy Legacy

Last week, I was reading (and enjoying) Patton Oswalt’s new book Silver Screen Fiend, a memoir of his four-year film addiction, which occurred as he was simultaneously finding his footing as a comedian. In describing the latter progression, he writes: “I’d spent the first nineteen years of life memorizing every comedy album I could play on my parents’ turntable. I knew the exact timing for the pause between the words ‘waited’ and ‘July’ in Bill Cosby’s ‘Revenge’ routine.” That line, the first of several examples of his comedy obsession, jumps out and jars — due, of course, to timing beyond Oswalt’s control. The book was presumably put to bed long before the accusations of Cosby’s decades as a serial rapist resurfaced last fall; the line serves as a reminder not just of his vaunted position in the comedy community, but of how slow that community has been to react to the accusations. This week, the tide began to turn, first with Tina Fey and Amy Poehler’s jaw-dropping Cosby jokes in their Golden Globes introduction, then with a candid conversation the next day between Judd Apatow and Marc Maron on Maron’s WTF podcast. … Read More

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‘Girls’ Season 4 Premiere Recap: “Iowa”

The fourth season of Girls, like the first season of Girls, begins with Hannah Horvath’s parents taking her out to dinner. The contrast is as striking as it is intentional: the skeezy guy Hannah was then hooking up with is now her boyfriend; the unpaid internship that was then winding down (without a paying job in sight) is now an acceptance to the Iowa Writers’ Workshop. And of course, this dinner is a celebration, not an abrupt announcement that Hannah’s financially on her own. … Read More

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The 10 Goofiest “Viral” Marketing Campaigns in Movie History

Taken 3 (or, as its ads would have it, TAK3N — which I believe is pronounced “Take-three-en”?) is out Friday, and I can’t tell you anything about it, because (as is so often the case with the little masterpieces we’re given in January) it’s not being screened for critics. But I can tell you that it’s being marketed with a totally awesome LinkedIn campaign! Yes, the year’s least necessary sequel and your most annoying email sender have paired up to create a little bit of online movie marketing magic, reminding us that when it comes to creating film ad campaigns with the express purpose of “going viral,” the occasional Blair Witch or Cloverfield is often counterbalanced by numerous laughable embarrassments. … Read More

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Flavorwire’s 10 Most Anticipated Movies of 2015

A new year is upon us, and a peek ahead at 2015’s cinematic offerings is… well, kinda depressing. As you peruse the many 2015 preview pieces on movie sites, there’s a noticeable sameness — namely because they’re chock full of sequels. And some of those sequels (The Avengers, Mad Max, The Hunger Games, Pitch Perfect, Magic Mike, Mission: Impossible, and, yes, Star Wars) might be great! But their domination of said lists speaks to the weakness of said lists; we’re banking anticipation almost exclusively on known quantities, from earlier films and filmmakers. And with Sundance and the rest of the spring festivals still on the horizon, we can’t yet guess at the smaller sleepers. BUT, nonetheless, we present this look at a few slightly off-the-grid and out-of-the-box movies that might be worth talking about this… Read More

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Judd Apatow To Produce Pee-wee Herman Movie For Netflix

Judd Apatow is set to produce an as-of-yet unnamed Pee-wee Herman film for Netflix (starring Paul Reubens, of course), which was… Read More

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Judd Apatow’s Uneasy Feminist Awakening

With his recent lashing out at Bill Cosby in the vein of a Depeche Mode lyric with an anti-rape-culture twist, Judd Apatow has further cemented his newfound stance as a feminist. … Read More

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Flavorwire Roundtable: Is Lena Dunham a Voice of a Generation in ‘Not That Kind of Girl’?

We are living through a golden age of the female-comedian memoir. Stoked by Chelsea Handler’s consistently bestselling memoirs about drinking and sex, the genre became a full-on trend with Tina Fey’s Bossypants in 2011. The latest example is Not That Kind of Girl, the debut book by Girls creator, writer, director, and lead actress Lena Dunham. Notable for garnering a $3.7 million advance and much attendant outrage, it’s filled with essays about the 28-year-old artist’s life so far, with subjects ranging from childhood to boys to work. So, beyond the hype, is Not That Kind of Girl any good? And is Dunham the voice of our generation — or a voice of a? Four Flavorwire staffers have four different… Read More

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