Not to alarm you or send you stumbling too quickly away from our site to ProFlowers or anything, but Valentine’s Day is Sunday. And there’s a fairly good chance that …Read More
It’s kinda like Cramer’s Jon Stewart interview, but with more bomb …Read More
This week’s new theatrical releases are small in number, but mighty in importance: the conclusion of one of the era’s biggest franchises, one of the best indie movies of the year, one of the best documentaries of the fall, and… another one.
How is a movie starring Chitwetel Ejiofor, Nicole Kidman, and Julia Roberts opening with such little fanfare? And how did a movie with this kind of pedigree turn out this way? …Read More
Need a great book to read, album to listen to, or TV show to get hooked on? The Flavorwire team is here to help: in this weekly feature, our editorial staffers recommend the cultural object or experience they’ve enjoyed most in the past seven days. Click through for our picks, and tell us what you’ve been loving in the comments.
This Friday, Arnold Schwarzenegger does something you’d have never quite predicted: he plays the leading role in an indie drama. Even more surprisingly, he’s very good in it. His quiet turn as a Midwestern farmer in the family drama/zombie flick Maggie is both a strong performance and a smart move for the aging actor, whose action vehicles haven’t exactly burned up the box office lately; when what you do isn’t working anymore, it’s a good idea to try something new. But for every Robin Williams, Matthew McConaughey, or Albert Brooks who transformed their screen persona successfully, there’s another who didn’t quite pull it …Read More
Twenty-five years ago this week, a small movie starring a has-been and an unknown crept into theaters and unexpectedly took America by storm. The Cinderella story of a Hollywood prostitute and the tycoon who becomes her knight in shining armor, it made Julia Roberts a star, made Richard Gere a star again, and made $463 million worldwide, contributing to the glut of romantic comedies that would populate 1990s cinema. The movie was originally called $3,000, but you might know it by its second, Disney-imposed title, Pretty Woman. And that moniker wasn’t the only thing that changed between the page and the screen; Pretty Woman has become a legendary example of how a movie can come out of the studio, writing-by-committee system bearing very little resemblance to the script it once …Read More
This week, Olive Films is releasing, for the first time on Blu-ray, The Road to Hong Kong, the last of the seven “Road” buddy comedies starring Bob Hope and Bing Crosby. Hitting theaters a full decade after the penultimate entry, Hong Kong is an occasionally funny and occasionally wheezy bit of business, with one honest-to-God great sequence: an unbilled cameo by Peter Sellers, who strolls into the picture and steals the damn thing outright. Hope and Crosby were early adopters of the kind of inside-joke comedy that yielded such cameos, which became increasingly common in the years that followed; we’ve gathered up some of the funniest in movie …Read More