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Posts Tagged ‘Keane’

Music

The Flavorpill Mixtape XXIX: The Shins, Mystery Jets, Wavves

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Over the past week, it’s been really hot and then really wet and unseasonably cold in New York. The weather can’t make up its mind, but luckily we’ve already decided on the week’s ten best new jams, all oven fresh. We’ve got The Shins covering Squeeze, Wavves moving beyond acid, and fantastic releases from brand new acts like Everything Everything and Graffiti6. Whether you want to listen to them one at a time or all at once is up to you. Be sure to Right Click + Save As after the jump, or scroll to the bottom to download the entire mix.

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Art

The Mediated World of Osang Gwon

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One of the rising stars of the Asian art scene, Korean artist Osang Gwon makes alluring, figurative sculptures from an accumulation of detail pictures of his subjects, and riveting photographs of sculptural installations of mediated consumer products. Gwon has shown his work around the world, collaborated on a record cover with British band Keane, and created commissioned projects for Fendi and Nike. We caught up with Gwon at his Arario New York show to discuss his unique way of making art and the fresh ideas behind it.
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Design

Starck Sounds, Mamet Revival in Peril, Kean-ye? and More Cultural News

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Starck speakers on the market: Attention last-minute holiday shoppers: design star Philippe Starck just came out with an aesthetically pleasing and minimalistic set of wireless iPod speakers. Starck is known for his ability to combine the everyday with his artistic visions, but with a suggested retail price of $1,500, you better hope you’ve been mighty nice. [IBT]

Piven quits Mamet play: Jeremy Piven abruptly left the cast of Speed-the-Plow, David Mamet’s acclaimed revival of the play. Piven cited high mercury levels as the reason for his departure, to which Mamet (bitterly?) responded that perhaps Piven should take up a career as a thermometer. The show must go on without the exhausted actor, though a replacement has yet to be named. This is NOT good for the producers, who are likely to have plenty of people angry that they paid $200 only to find that the guy they paid said $200 to see is out. If it were Raul Esparza or Elizabeth Moss (sorry Peggy!), different story. [Playbill]

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