Lars Von Trier
The Labor Day weekend doesn’t begin until end of day tomorrow, but c’mon, who’re we kidding — you’ve already checked out for the week, and it’s time to start making plans. And while we know some of you (shudder) sociable types will be heading out to lakes and barbeques and such destinations to enjoy the end of another summer, we’re catering (as usual) to the shut-ins, who’re taking the three day holiday weekend to catch up on some long-delayed nothing-doing. So here are a few of the recent(ish) additions to Netflix and Amazon Prime to add to your holiday weekend viewing lists; just click the title link to watch them right now.
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There is a fascinating interplay between the visual cultures of film and art. Directors have frequently used imagery from painting and other art forms to shape the look and meaning of their works. Last week, website Philebrity appealed to our inner art history nerd and reminded us of a strong visual influence behind Terrence Malick’s 1978 film Days of Heaven. Click through to see the movie’s art-world doppelgänger, along with other artworks that informed frames and entire visual themes in other… Read More
We’ve been talking a lot about Lars von Trier lately, prompted by the release of Nymphomaniac, and now Criterion Collection has given us one more reason to think about his work: their new special edition of his 1996 masterpiece Breaking the Waves. It’s a key entry in the von Trier filmography, its themes echoing throughout Nymphomaniac and Melancholia, but it takes something big like the Criterion release to warrant a revisit; Breaking the Waves is both a masterful movie and one that’s incredibly difficult to subject yourself to. We’ve looked previously at great books and important albums that are just plain hard to take; here’s a few movies that warrant the same kind of… Read More
Any other bride would panic if the stretch limo carrying her to her wedding got stuck en route, too long to make a tight turn on a narrow country road. Not Justine, though. Her face lights up with perverse glee. She laughs. And we have our first sign that the heroine of Lars von Trier’s Melancholia does not respond to the world around her in precisely the way she’s supposed to.
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In case you haven’t noticed, there’s not much doin’ at the multiplex this April. You’ve got a new Captain America, and a Johnny Depp thing by Christopher Nolan’s regular cinematographer that could either be amazing or terrible and silly, and then — what, The Other Woman? Once again, it’s the art house to the rescue, and here are ten of the most notable and recommendation-worthy independent releases of the coming… Read More
A trip to the movie theater is an experience of what the culture wants to sell you; often, it’s sex, in some form or fashion. Which is why it’s been interesting to see movies about sex addiction multiply in the multiplex, with films that could be puncturing our society’s obsession with sex next to films that are mostly about sex. Even if they’re really just about… Read More
This week Lars von Trier’s sexual opus Nymphomanic was unleashed on the masses. The film follows one woman’s erotic journey — a self-proclaimed nymphomaniac named Joe (played by the always wonderful Charlotte Gainsbourg). Of course, Von Trier isn’t the first person to explore sexual obsession. Pop culture is full of “sex addicts” who can’t control their appetite between the sheets. We found ten other insatiable characters whose libidos have been working overtime.
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Running at nearly four hours in this, its two-part, “audience friendly” version (there’s a five-and-half-hour uncut version out there as well), Lars von Trier’s Nymphomaniac is less a disciplined, focused motion picture than an all-you-can-eat buffet where the director overloads his plate, and encourages his audience to do the same. It’s a wandering, freeform exploration of the themes, subjects, and ideas of particular interest to the filmmaker — and sex is among them, certainly, but it doesn’t seem to be his primary focus, or destination.
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