As the very first scene of its second season tells us, Hannibal is a somewhat unusual show in that the audience knows exactly how it ends. Over at Slate, Mark Peters made a similar observation, arguing that because Bryan Fuller’s beautiful, engrossing show doesn’t need to ratchet up suspense about where the plot is headed, we have breathing room along the way to soak in Hannibal and Will and their relationship’s unraveling. It’s like True Detective in that way: a character study wrapped in a loosely structured police procedural. … Read More