There is an alternate world in which Jeremy Sisto, late of Suburgatory, forever of Clueless, and currently starring in A&E’s …Read More
In a world where you have more options for satisfying longform reading than ever, your friends here at Flavorwire are taking the time once a week to highlight some of the best that journalism and longform has to offer. Whether they’re unified by topic, publication, writer, classic status, or just a general feeling, these articles all have one thing in common: they’re essential reading. This week, in honor of Leonardo DiCaprio’s 40th birthday, we’re looking at some of the greatest articles profiling and analyzing teen idols.
In case you’d like a soundtrack for the incoming deluge of links, Haim’s collabo with Calvin Harris is the perfect, fast-paced electro-anthem to help you feel a sense of deliberateness as you meander through this web of distraction. The song would also, of course, be great to dance to, but this simply isn’t the place for that, partially because:
Hollywood is famous for its treatment of writers. They are the low man on the totem pole, the person banned from the set, the guy who wrote the Great American novel drinking himself to death in Los Angeles, rewriting dumb scripts. It’s funny, as Hollywood is also obsessed with portraying “writers” on screen. Flavorwire’s definitive, ranked list of the 50 Best Films About Writers of all time features the requisite mix of biopics, book adaptations (what’s up Stephen King and John Irving), foreign films that actually feature female writers, po-mo meta surrealist studies of madness (very frequent), and the works of Woody …Read More
Monday night, following screenings at the Toronto and New York Film Festivals, HBO will premiere The 50 Year Argument, the terrific new documentary celebrating 50 years of The New York Review of Books. It is also the latest effort from legendary — and legendarily prolific — filmmaker Martin Scorsese (co-directing with David Tedeschi, who has edited several of Scorsese’s previous documentaries). So how does it compare to the rest of the Scorsese filmography? To answer that question, Flavorwire presents the DEFINITIVE* ranking of Martin Scorsese’s narrative and documentary features (stretching feature a bit to include long-ish documentaries and made-for-TV works), stacking up 36 films over nearly 50 years.
In Sigrid Nunez’s book The Last of Her Kind, the central character, Georgette, meets her troubling, troubled, wonderful friend Ann when they are both students at Barnard College in New York. I can remember, quite clearly, that school for Georgette consists of her writing a long paper, “Why The Great Gatsby Is Not a Great Book.”