Leonardo Dicaprio

‘The Wolf of Wall Street’ Is a Film About Selling, and Most Salesmen Are Liars

A few years ago, during my ill-fated stint as a corporate litigator, I found myself in a conference room waiting for a meeting with some bankers to start. It was all men but me, a not-uncommon occurrence in those days. And one started joking to another about some people they knew in common. They’d been out to a basketball game for some client event and one guy, these men gossiped to each other, had brought a sex worker along. Mind you, they didn’t call her a “sex worker” per se. Instead, giggling like schoolchildren, they referred to her as a “lady of the evening.” Listening, I had my face set in an expression I developed for situations like that one, meaning situations in which businessmen were showing off for each other and I was meant to tolerate it without comment. I would just let my mouth set into a natural frown, and appear very interested in my notepad. I once came back from some such meeting and found I’d written “oh christ oh christ oh christ” perhaps a hundred times over. … Read More

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Scorsese’s New Movie is Too Long, According to People Who Haven’t Seen It (or His Other Movies, Apparently)

A couple of days back, Paramount released a new trailer and made a pair of announcements about Martin Scorsese’s new film, The Wolf of Wall Street. First, as rumored, it is not going to make its original mid-November release date; instead, it has been pushed back to Christmas Day, bumping the studio’s previously-earmarked Christmas release, Kenneth Branagh’s Jack Ryan reboot, into 2014. And since one of the supposed reasons for that push-back was the time Scorsese had spent wrestling with a rough cut clocking in anywhere from three to four hours, they went ahead and announced the picture’s running time: 165 minutes, or two and three-quarter hours. … Read More

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George R. R. Martin Doesn’t Think Roose Bolton is Terrible Enough: Links You Need to See

Late last week we had a collective fit over James Franco on the cover of the new “As I Lay Dying” book cover; what we should’ve done was splatter Franco’s face everywhere in one big therapeutic bout of immersion therapy. Speaking of ubiquity, when did Leonardo Dicaprio become Hollywood’s number one choice… Read More

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Flavorwire’s Big Deal, All-In Fall Movie Preview

There’s a particularly juicy crop of Movies for Grown-Ups™ to look forward to this season — daunting, even. It’s all exhaustive and a little overwhelming, but hey, that’s what fall moviegoing is all… Read More

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Flavorwire’s Guide to Movies You Need to Stream This Week

Welcome to Flavorwire’s streaming movie guide, in which we help you sift through the scores of movies streaming on Netflix, Hulu, Amazon, and other services to find the best of the recently available, freshly relevant, or soon to expire. This week, there’s great stuff from Leonardo DiCaprio, Julianne Moore, Carey Mulligan, Greta Gerwig, Alexander Skarsgård, Guy Pearce, Dwayne “The Rock” Johnson, Tobey Maguire, Steve Coogan, Billy Bob Thornton, Robert Duvall, Christopher Walken, Ben Stiller, Rosario Dawson, and more. Check them out after the jump, and follow the title links to watch them right now. … Read More

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Leonardo Dicaprio Pops and Locks, Marilyn Monroe Seems to Live Forever: Links You Need to See

Few things are as entertaining as a bootleg version of something great; as such, these early versions of iconic film and TV characters are fascinating. Vulture dug up an insanely entertaining archival interview with Orson Welles. Completed several months before his death, the insanely entertaining archival interview with Orson Welles that Vulture dug… Read More

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What It’s Like to Read ‘The Great Gatsby’ for the First Time at 37

With Baz Luhrmann’s splashy adaptation of F. Scott Fitzgerald’s Great American Novel contender hitting theaters Friday, Flavorwire is devoting this week to all things Great Gatsby. Click here to follow our coverage.

I’m still not sure how I’d made it to age 37 without reading The Great Gatsby, but this much was for sure: I was going to have to. It’s never a bad idea to read the source material when gearing up to review the film adaptation of a highly regarded literary property (though the finite number of hours in the day certainly prevent that notion’s translation from theory to practice), but my editor’s suggestion for a “Gatsby Week” piece on the difficulty of adapting Fitzgerald’s classic to celluloid sort of cinched it. “Ha, ha, funny story, I’ve never read it,” I chortled, and her nonverbal response to that ill-timed bit of mirth made it clear that I’d be doing so sooner rather than later. … Read More

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