Lil Wayne is keeping the weekend vibes going with his Free Weezy Album, which he recently premiered on Tidal. Artists Jeezy, Cory Gunz, Euro, and Wiz Khalifa join the rapper for the 15-track release that follows his mixtape Sorry 4 The Wait 2. The previously released single “Glory” kicks things off. The Free Weezy Album… Read More
Drake’s Homecoming: The Lost Footage — a concert film of footage of Drake at 23, playing Toronto’s Sound Academy… Read More
Drake releases have long been treated as events, but since the December 2013 SoundCloud premiere of “Trophies,” we’ve experienced escalation. Further drops followed with little to no warning and impressive frequency, often showcasing a sound and flow noticeably tougher and less overtly commercial than 2013’s Nothing Was the Same or 2011’s Take Care. “Draft Day” had Drake on a boom-bap tip, while ballads like “Days in the East” and “Heat of the Moment” explored space in ways radio songs simply aren’t permitted to. “0 To 100” and the aforementioned “Trophies” packed in so much cocksureness and braggadocio that the beats barely had room to breathe. And while his civic pride for Toronto on these tracks felt a touch excessive, it became increasingly more difficult to judge Drake solely by the sensitive sad-boy standards and tropes his critics — professional and otherwise — had come to rely on. Released suddenly Thursday night, If You’re Reading This It’s Too Late capitalizes on all of these… Read More
The final song on the deluxe — but not the deluxe iTunes or Target — version of The Pinkprint, Nicki Minaj’s third album, tells you everything you need to know about the Queens-bred rapper’s mental state at this point in time. Onika steps up to the plate and swings like she has nothing to prove but everything on the line: “You bitches can’t get my spot ’til I’m raising some children.” “Not that I don’t have good vision, but I don’t see competition/ They want me to come and help them, but I am not a magician.” “Don’t make me expose you, bitch, I’m busy.” With a title like “Win Again,” it would be easy to mistake this for your standard Nicki brag track, not unlike “I Am Your Leader” or “Grindin.” But by the end of the song, she’s out for blood with far less of it running through her flow. “I won,” Minaj coos in her most defeated-by-love pop-singer voice, “Kill-kill everything in my way.” Her brain is well trained, but her heart sounds tired. Yours would be too after writing an album like The Pinkprint.
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What does someone like Nicki Minaj do when an animated lyric video gets so much … Read More
When Nicki Minaj’s Pinkprint collaboration with Beyoncé, “Feelin’ Myself,” leaked late early this morning, it joined the ranks of Nicki’s most anti-“rap bitches” appearances to date. Of course, Minaj has shouted out “rap bitches” many times, starting in her mixtape days; the novice Nicki fan may think she’s referring to other female rappers… Read More
Nicki Minaj has released an animated lyric video for her new single, “Only,” which appears on her upcoming album… Read More
Nicki Minaj’s much-anticipated album The Pinkprint is set to be released December 15 via Young Money/Cash Money. Yesterday she revealed… Read More
Perhaps your outrage entry point into “Only,” the Pinkprint track Nicki Minaj dropped yesterday, was Chris Brown. Before you heard Brown relegated to hook-boy status within Nicki’s hip-hop power shift, maybe you questioned why she would bring in such a divisive character (who doesn’t even get to be in the single artwork). But once you’ve actually heard the song, Brown’s tame vocal contributions are far from the takeaway. I lost my goddamn mind the first four times I listened to “Only,” for four different reasons. And that’s exactly the point. The song is catnip for the kinds of listeners who read rap verses and trust them as accurate representations of the stars who recite them, instead of what they sometimes are: juicy stories.
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