Lost

Why So Many TV Shows Peak in Season 3

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The Problem With Love Triangles, TV’s Favorite Romantic Trope

Love triangles have long been a staple on television shows, often used as a means to introduce a little drama into a relationship that has grown stale. Writers are always looking for ways to keep long-lasting relationships fresh and interesting to audiences, and one way to do that is by bringing in a third character to shake things up. Love triangles are also a way to provoke fan debates and discussions, splitting a show’s core audience into teams — think of how the majority of conversations surrounding Veronica Mars are more about Team Piz vs. Team Logan than any of the mystery plots. Without a doubt, love triangles are a fun thing to get invested in, but more often than not, these storylines bog down shows and take the focus away from other, better storylines. … Read More

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J.J. Abrams Is Veering Dangerously Close to Self-Parody

There was a mystery afoot on the Internet yesterday. Did you hear about it? Were you drawn into it? There was a trailer for a new J.J. Abrams… something. It had no title, only vague imagery and voice-over, and an ending tagline of “Soon he will know.” But it opened with the animation for Bad Robot, the Lost producer and Star Trek director’s production company, so everyone went bananas. “What is J.J. Abrams teasing with Bad Robot’s new mystery trailer?” asked The Verge. “What is J.J. Abrams’ ‘Stranger’ Teaser?” wondered Rolling Stone. Slate’s David Haglund, while granting that it looks “interesting, for now,” asked, “What is it a trailer for? He didn’t say! Could be a movie, could be a TV show — who knows! It is all very mysterious.” And Entertainment Weekly offered up five theories as to what, exactly, we were looking at. But it became clear, in the hours after this giant non-event, that the clip was a teaser for S., a novel by Doug Dorst, “devised” by J.J. Abrams, whatever the hell that means. So here’s the question: why do we care? … Read More

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Cool J.J. Abrams-Inspired Art From Gallery 1988’s Bad Robot Show

There are times where it feels like we’re some kind of blog arm of Gallery 1988, the wonderful Los Angeles-area gallery that is, as they say, “the #1 destination for pop culture art.” But as long as they keep curating amazing shows, we’ll keep showing you what they’ve got; this time, it’s The Official Bad Robot Experience, opening Friday and showcasing pieces inspired by the film and television work of J.J. Abrams, from Lost to Star Trek to Cloverfield. … Read More

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Victorian-Era Photographs of ‘Lost’ Characters

Over two years after its series finale, Lost is doing the Time Warp again. In a mashup that’s entirely plausible given the show’s fondness for time travel, Neil Richards at Websites Are Lovely has created an amusing series that places Lost cast members in Victorian-era photos. Ben Linus has some gnarly facial hair, Hurley looks like the bad guy in a vaudeville melodrama, and John Locke’s mustache suggests that it’s his Evil Locke alter ego who stepped into the time machine. Our only objection is the absence of Richard Alpert, who really would have been alive in the 1890s. Click through to see the series, which we discovered via io9, and if you’re a photography fan, be sure to check out Websites Are Lovely. … Read More

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10 Bizarre Interiors Inspired by Pop Culture

Vanna Bonta, the space traveling author, award-winning poet, and notable inventor of the lovesuit to promote sex in space and other similarly weightless environments, keenly observed that “popularity is not an indication of quality.” Case in point: Pikachu-inspired cars and engagement photos ala The Phantom Menace. We’re now adding over the top interiors to our growing list of unfortunate achievements by pop culture aficionados the world over. From an exact recreation of the Starship Enterprise’s famous flight deck in a London flat to a baby’s nursery inspired by The Dharma Initiative from Lost, click through to check out some of the most bizarre interiors that take obsession to another level entirely. … Read More

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