Mad Men

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Postcard-Perfect Paintings of Fashionable Vintage Women

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It would be easy to mistake the paintings of James Rieck for photos from the new season of Mad Men (wishful thinking), but the Maryland/DC-area artist, who we spotted on Fubiz, simply has an affinity for all things vintage and feminine. Combining his past as a muralist, the vintage fashions found in old advertisements, and picture-perfect nature backdrops, Rieck’s hyper-stylized paintings are total eye candy. The poses and mixed colorful separates are all catalogue model, while the backgrounds are all ‘60s postcard. The artist elevates the humor by cropping the women just slightly above their lipstick-slick grins, which calls attention to the cheesy poses and scenarios. And if you’re a fashion bug, Rieck’s picks will delight. Shout out granny panties.
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This Week’s Top 5 TV Moments: I’d Like to Buy the World a Coke

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There are scores of TV shows out there, with dozens of new episodes each week, not to mention everything you can find on Hulu Plus, Netflix streaming, and HBO Go. How’s a viewer to keep up? To help you sort through all that television has to offer, Flavorwire is compiling the five best moments on TV each week. This time, Mad Men comes to its instantly — and inevitably — controversial end, and David Letterman hosts his final Late Show.
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In Praise of Narrative Ambiguity (or, Why You’ll Never “Solve” the ‘Mad Men’ Finale)

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A strange thing happened on the Internet this morning: pretty much every news outlet, reputable and otherwise, that has any interest in Mad Men (so all of them, basically) reported that Matthew Weiner had explained the ending to the show’s last episode at a talk with novelist A.M. Homes last night. As an example of the perils of churnalism, it was pretty impressive, because if you watch the video of the event, Weiner does no such thing. Instead, he explains that the end of the show is as ambiguous as it appears: “People are like, ‘Which is it?’ and I’m like, ‘Well, why does it have to be one or the other?’”
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The Particular Horror of Hearing Creepy Stories About Famous Men Who Should Know Better

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Between Gawker publishing rumors that beloved comedian Louis C.K. has a tendency to expose himself (and I don’t mean emotionally) to women in the comedy world and today’s BuzzFeed piece alleging that a well-known TV character actor most recently seen on Mad Men acted inappropriately in the publication’s offices, it’s been a banner week for learning that a few male celebrities whose work addresses sexist and downright creepy behavior… may also practice that behavior.
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Flatulent Symphonies, 3D Printed Skin, and Björk’s Crazy DJ Set: Links You Need to See

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Today has been filled with musical surprises: firstly, everyone was parsing the Billboard Music Awards for things to GIF and things to grumble about. The event naturally represents music on the more accessible end of the spectrum, and while Britney and Iggy were being Pretty and Taylor’s Blood was being Bad, somewhere far away, a more experimental musical genius was deconstructing his, er, evanescent backend expulsions to show that there’s a classical symphony to just about everything. Meanwhile, Björk straddles the line of those who make off-puttingly corporeal symphonies (she did, after all, once collaborate with Matmos, whose song “California Rhinoplasty” wears its title quite literally) and the more Billboard-friendly mainstream. Last Friday, she did a DJ set at Tri-Angle’s fifth anniversary party in New York, where she played everything from Kate Bush to Death Grips to The Haxan Cloak. She uploaded her whole set earlier, and you can check it out at The Quietus. 
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