Mad Men

Wes Anderson-Influenced Art and Modernity-Influenced ‘Mad Men': Links You Need to See

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Although the feeling of summer bliss is timeless, there are some old-fashioned under-the-sun activities that have been abandoned by us tech-tyrranized millennials. Lest the season pass you by as you write an epic in the form of a text message, check out Mental Floss’s “15 Summertime Activities We Need To Bring Back” to, well, virtually revel in the beauty of the tangible world.
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Postcard-Perfect Paintings of Fashionable Vintage Women

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It would be easy to mistake the paintings of James Rieck for photos from the new season of Mad Men (wishful thinking), but the Maryland/DC-area artist, who we spotted on Fubiz, simply has an affinity for all things vintage and feminine. Combining his past as a muralist, the vintage fashions found in old advertisements, and picture-perfect nature backdrops, Rieck’s hyper-stylized paintings are total eye candy. The poses and mixed colorful separates are all catalogue model, while the backgrounds are all ‘60s postcard. The artist elevates the humor by cropping the women just slightly above their lipstick-slick grins, which calls attention to the cheesy poses and scenarios. And if you’re a fashion bug, Rieck’s picks will delight. Shout out granny panties.
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This Week’s Top 5 TV Moments: I’d Like to Buy the World a Coke

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There are scores of TV shows out there, with dozens of new episodes each week, not to mention everything you can find on Hulu Plus, Netflix streaming, and HBO Go. How’s a viewer to keep up? To help you sort through all that television has to offer, Flavorwire is compiling the five best moments on TV each week. This time, Mad Men comes to its instantly — and inevitably — controversial end, and David Letterman hosts his final Late Show.
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In Praise of Narrative Ambiguity (or, Why You’ll Never “Solve” the ‘Mad Men’ Finale)

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A strange thing happened on the Internet this morning: pretty much every news outlet, reputable and otherwise, that has any interest in Mad Men (so all of them, basically) reported that Matthew Weiner had explained the ending to the show’s last episode at a talk with novelist A.M. Homes last night. As an example of the perils of churnalism, it was pretty impressive, because if you watch the video of the event, Weiner does no such thing. Instead, he explains that the end of the show is as ambiguous as it appears: “People are like, ‘Which is it?’ and I’m like, ‘Well, why does it have to be one or the other?’”
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