Marina Abramovic

Cut Piece (1964) performed by Yoko Ono in New Works of Yoko Ono, Carnegie Recital Hall, New York, March 21, 1965.
Photograph by Minoru Niizuma.
© Minoru Niizuma. Courtesy Lenono Photo Archive, New York

Yoko Ono Is For Everyone

By

In October 2000, right around what would have been John Lennon’s 60th birthday, the Rock and Roll Hall of Fame opened one of its most extensive exhibits ever, in honor of Lennon’s life and (mostly non-Beatles) work. Amidst the expected artifacts — handwritten lyrics, grammar-school report cards, the white baby grand from the “Imagine” video — sat one that was horrifying: a bag from New York’s St. Luke’s-Roosevelt Hospital containing the clothes Lennon was wearing on the night Mark David Chapman shot him outside the Dakota. Coupled with Lennon’s glasses, caked in 20-year-old blood, this corner of the exhibit was intended as an emotional climax. Even at 13 years old, the weight of these artifacts impressed upon me a jaded anger: How could someone have violently ripped Lennon from this world when all he wanted was to make it a peaceful place?
… Read More

antony-hegarty

We Will All Howl: Antony Hegarty on the State of Transfeminism

By

“They announced two weeks ago that in the last 40 years, the number of wild animals has dropped by one-half, and we’re expecting a 50 to 70 percent extinction event of all species by the end of the century,” Antony Hegarty says. “I always think about those stories about the last bird, or the last of a species, when they’re calling out and they don’t have the other animal, the partner that can call back to them. The idea of the disappearing voice is very resonant for me. What hears a solitary voice. What responds to a solitary voice.”
… Read More