Marion Cotillard

12 Must-See Movies at This Year’s New York Film Festival

Tonight, the New York Film Festival kicks off its 52nd (!) edition with the world premiere of David Fincher’s highly anticipated adaptation of Gillian Flynn’s Gone Girl. We’ll have more on that film (and that premiere) in this space tomorrow, but in the meantime, we’ve had the chance to check out several other NYFF selections that are well worth your time over the next two weeks (should you happen to be in the area), or in the months to come as they make their way to your theaters and on-demand platforms. … Read More

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Will ‘Snowpiercer’s’ VOD Success Change the Film Industry?

In January of 2006, Magnolia Pictures released Bubble, a micro-budget, semi-improvised independent film about the employees of a small-town doll factory. Two things were notable about the picture: it was from Oscar-winning director Steven Soderbergh, and it was the first “multi-platform” release of note — it was released, simultaneously, to movie theaters, DVD, and video-on-demand (still in its infancy at the time). This was a big, huge deal in 2006; theater owners all but rioted over the potential collapse of their exclusivity window, and about the only playdates the film could wrangle were in the Landmark chain (co-owned by Mark Cuban, who, not coincidentally, also co-owns distributor Magnolia). … Read More

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Here Are the First Posters from ‘Macbeth,’ Starring Michael Fassbender and Marion Cotillard

Orson Welles and Roman Polanski each took a crack at adapting Macbeth, but neither of these masterful directors’ renditions of… Read More

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Deconstructing the Christian Imagery in David Bowie’s “The Next Day” Video

Given that it’s very heavy on Catholic imagery, and also on the idea of subverting and questioning such imagery, the new video for David Bowie’s “The Next Day” was always going to be controversial. It’s proven too much so for YouTube, which pulled it down this morning. Happily, you can still see it on Vevo, which has given us plenty of time to deconstruct all the iconography on show. If you’ve watched the video and wondered what it all means, then wonder no longer. (Or, at least, wonder a bit less.) … Read More

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Woody Allen’s Classic Leading Ladies and Their Contemporary Counterparts

When Freud wrote of female sexuality as “a dark continent,” he might as well have been writing about Woody Allen’s murky understanding of women. The director’s female characters invariably have abundant daddy issues, a slew of neuroses, and affairs with artists, professors, married men. They seek advice from therapists and fortune tellers, they’re tempestuous and stubborn; though they’re sometimes incredibly narrow, they’re often appealingly complex. Allen’s female characters are so obviously amalgamations of his fantasy woman – or rather women, plural – that one might contend they’re part of an ongoing, experiment in understanding women. Following this week’s news that Emma Stone is set to star in the next Allen film, we’ve conducted a little experiment of our own, looking back at the ladies of his canon, matching the women of his classic era with their contemporary counterparts. … Read More

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The Year in Film: 2012’s Sexiest Scenes [NSFW]

There was a remarkable disconnect happening this year between pop culture and political culture, with the former getting kinkier (the ubiquitous 50 Shades of Grey on bookshelves, the Presidential handjob-heavy Hyde Park on Hudson on movie screens) while the latter threatened to get more prurient and Victorian. Points for trying, but good luck — movies were plenty sexy this year, and after the jump, we’ve assembled ten of the year’s hottest moments. … Read More

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Flavorwire’s Guide to Indie Flicks to See in November

We’re getting into serious Oscar-bidding season, and the month of November is chock full of movies we’re excited about: Skyfall, Lincoln, Life of Pi, Hitchcock, Anna Karenina, Silver Linings Playbook, Killing Them Softly, and on and on. But the majors aren’t the only ones trotting out smarter-than-average fare; as usual, the indies have got a full slate of strong stuff this month as well. After the jump, we’ve got a few that are worth checking out in the weeks ahead. … Read More

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This Week in Trailers: ‘Hansel and Gretel,’ ‘On the Road,’ and Sequels No One Asked For

Every Friday here at Flavorwire, we like to gather up the week’s new movie trailers, give them a look-see, and rank them from worst to best — while taking a guess or two about what they might tell us (or hide from us) about the movies they’re promoting. We’ve got eight new trailers for you this week, featuring Jeremy Renner, Penelope Cruz, Emile Hirsch, Marion Cotillard, Kristen Stewart, and Peter O’Toole; check ‘em all out after the jump, and share your thoughts in the comments. … Read More

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‘The Dark Knight Rises': Building the Ideal Summer Blockbuster

Big summer blockbusters don’t have to be terrible. The original ones — Jaws, Star Wars, Raiders of the Lost Ark — weren’t, and harnessing the considerable resources of Hollywood talent at the service of a large-budget, crowd-pleasing entertainment is something we do better than anyone; it’s one of the few things (like bombers and motorcycles) that America still builds well. The trouble is, so few filmmakers bother with matters like characterization and wit and intelligence, and those that do are often hamstrung by the creativity-by-committee that is the bane of studio “tentpoles,” and that’s why Christopher Nolan is so valuable. His Batman trilogy (and The Prestige and Inception, which he made between them) serve as a forceful reminder of the kind of quality that the marriage of art and commerce can birth — and the use of “art” here is a deliberate one, a word choice not made lightly. In the seven years since Warner Brothers handed the keys to their biggest franchise over to a British filmmaker best known for a twisty indie, Nolan has done nothing less than redefine blockbuster cinema: what it is, and what it can be. … Read More

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10 Cannes Films We Can’t Wait to See

Your Flavorwire has done its level best to hit the film festivals of note this year, but we’re afraid our travel budget was running a little too dry after Sundance and SXSW for us to make our way over to Cannes. (We’re even more disappointed than you are.) But we’ve been keeping a close eye on the reviews coming from the Palais des Festivals et des Congrès, and have found plenty to get excited about in those dispatches. After the jump, we’ve assembled ten of the Cannes films we’re most looking forward to, with words of encouragement from some of the folks who were lucky enough to get a glimpse. (h/t to IndieWire, for their invaluable CriticWire directory of Cannes reviews.) … Read More

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