The television world moves so fast that by the time you learn of a show’s premiere, it could already be canceled. It’s hard to keep track of the constant stream of television news, so Flavorwire is here to provide a weekly roundup of the most exciting — and baffling — casting and development updates. This week: Brickleberry and Covert Affairs are canceled, Girls is renewed, and an upcoming Queer as Folk reunion.
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Larry Kramer wouldn’t shut his mouth. It’s probably because of his outspoken nature, the bridges he burned and the politicians he pissed off, that the government’s recognition of the AIDS epidemic — an acknowledgement that didn’t come soon enough — turned what for years was misunderstood as a plague that only affected a small population of unfortunates (i.e., gay men) into a disease that the average American knows does not discriminate based on sexuality or race. Kramer’s work in the early ’80s, both as a founding member of Gay Men’s Health Crisis and the author of the monumental off-Broadway play The Normal Heart (which had its New York premiere in April 1985, nearly 15 months before President Reagan publicly acknowledged the crisis for the first time), was an indelible asset to the early days of HIV/AIDS awareness. As his autobiographical play, now getting the star-studded HBO film treatment, asserts, Kramer’s efforts were, for years, overshadowed by his rabble-rousing and the government’s indifference to the disease that was affecting millions.
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The Normal Heart, based on Larry Kramer’s play of the same name and directed by Ryan Murphy, is HBO’s upcoming… Read More
Out has published a long rant from novelist and occasional Internet provocateur Bret Easton Ellis that covers at length the following subjects: Jason Collins, the former NBA player who came out as gay two weeks ago with a controversial Sports Illustrated cover story, the Gay & Lesbian Alliance Against Defamation (GLAAD) and the organization’s annual media awards, openly gay actor Matt Bomer, a defense of AIDS jokes, and the phenomenon he calls “the Gay Man as the Magical Elf.” Strap in folks, because there’s a lot to parse in this nearly 3,500-word screed in which Ellis places himself at the heart of a great debate about the nature of today’s gay man — a topic on which the writer seems to play both sides.
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Since George Dawes Green started The Moth in his living room 15 years ago, the organization has had one clear mantra: great storytelling. So it’s no surprise that the honoree of their annual ball, held Tuesday night at Capitale in New York City, was one Martin Scorsese. It’s a difficult task to sum up the essence of his ever-evolving oeuvre, but perhaps award-presenter Adam Gopnik did it best when he discerned that at the heart of every Scorsese film is “an act of verbal aggression.” In a broader sense, this pronouncement encapsulated the theme of the night: a Moth story is like Scorsese — you can peel back the layers and get even more (which is why, if you’re looking for a challenge, we recommend listening to their podcast on an erratic, crowded subway train, where hitting an iPhone’s microscopic rewind button while standing is perilous).
For exclusive interviews from the evening, click through our celebrity slideshow featuring: Darryl “DMC” McDaniels, the stars of White Collar (Tiffani Thiessen-Smith, Matt Bomer, and Tim Dekay), comedian Mike Birbiglia and Jen Stein, Top Chef host Padma Lakshmi, Kyp Malone of TV On The Radio, Joan Firestone (Executive Director of The Moth), and Royal Pains stars Reshma Shetty and Paulo Costanzo.
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