Melancholia

Lars von Trier Doesn’t Hate Women. So Why Won’t the Myth of His Misogyny Die?

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Any other bride would panic if the stretch limo carrying her to her wedding got stuck en route, too long to make a tight turn on a narrow country road. Not Justine, though. Her face lights up with perverse glee. She laughs. And we have our first sign that the heroine of Lars von Trier’s Melancholia does not respond to the world around her in precisely the way she’s supposed to.
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Stellan Skarsgård Has a Recommendation for Where to Drink in Stockholm

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Stellan Skarsgård may be best known as a European actor bringing elegance and menace to big-budget American films — he’s part of The Avengers world, important to Thor and its recent sequel, he was in David Fincher’s The Girl With the Dragon Tattoo, and he’s been a reliable villain-type-with-layers ever since he was in Good Will Hunting. But Skarsgård’s American career is just the tip of the iceberg. The biggest actor in Sweden, Skarsgård is such an important cultural export that there’s a picture of him at the Stockholm airport next to Sweden’s other touchstones (Abba, Bjorn Borg, Ingmar Bergman, Stieg Larsson, Pippi Longstocking). Perhaps Skarsgård’s most interesting long term-collaboration has come from his work with Danish auteur Lars von Trier: from Breaking the Waves to Melancholia, Skarsgård has been there as an often-bruised and impotent male character, bouncing off the dramatic femmes that populate Von Trier’s world.
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