New York native and SVA- and ICP-trained photographer Grace Kim captures the seamy underbelly of human relationships with her stygian, monochromatic images. Series like “Loveland,” One Night Stand,” and “Love Hotel,” the latter shot in clandestine pay-by-the-hour hotels in Seoul, explore “residual tension between the presence and absence of the anonymous couples” and force an abstract narrative onto brief moments extracted by a 35mm lens. Click through for more images. Read More »