Michael Bay

Watch the First Trailer for the Secret ‘Cloverfield’ Sorta-Sequel

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Back in summer of 2007, a mysterious trailer came attached to prints of Michael Bay’s Transformers, bearing a production company logo and a release date, but not even a title. The film was Cloverfield, from J.J. Abrams’ Bad Robot, and it was one of many examples of Abrams’ “mystery box” theory in action – a film promoted as much for its secrecy as its content. And now, they’ve done it again.
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The 10 Worst Movies Based on Real Political Events

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Last week, everybody got a big chuckle (some more than others) out of The Hollywood Reporter’s scoop that Michael Bay — best known for making movies about cars transforming into giant robots and blowing shit up — is in talks to helm 13 Hours, a political drama about the 2012 attack on the US embassy in Benghazi. And while most of those titters come from the participation of meathead entertainment maker and short-short connoisseur Bay (and from speculating on the various ways in which he could fumble the attack’s narrative, in light of its subsequent status as a political football), there’s also some rightful skepticism about the ability of anyone in Hollywood to make this particular “political drama,” since that’s a subgenre the movie industry seems so inclined to fuck up. So on this most political of days, let’s take a quick walk down that hall of shame, shall we?
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Flavorwire Exclusive: Leaked Memo Details Michael Bay’s Benghazi Movie, Other Political Thrillers Based on Real Events!

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We’ve all had a good, hearty laugh over this idea of cinematic candy purveyor and accomplished public speaker Michael Bay helming a super-serious political thriller about your Fox News-watching great-aunt’s favorite political almost-scandal, Benghazi. But more than 24 hours have passed, and it seems that it isn’t a joke — in fact, thanks to a source deep inside Bay’s production company, Flavorwire has attained a secret memo detailing not only the Benghazi movie, but a whole slate of historical thrillers the director has in the works, in an attempt to drastically remake his image and filmography.
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A Brief History of Film Artists Who Aren’t Doing This for Critics

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Another late-summer weekend, more terrible news at the box office: according to Box Office Mojo, last weekend was the worst for movie-going in two years, and barely better than the worst of the last decade. The main reason: nothing to see, since the sole new wide release was a bizarre bit of faith-based Elvis fan fiction called The Identical. It couldn’t even crack the top ten, grossing a miserable $977 per screen, and who’s to blame? Film critics, who drubbed the movie (it’s currently sitting at four percent on Rotten Tomatoes) — at least according to co-star Ashley Judd, who used her Twitter feed to call The Identical “a beautiful, heartfelt movie cynics wait to excoriate & non critics/real people adore it!!”
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