“Pleasure Is the Ultimate Rebellion”: Lydia Lunch on Making Poetry Out of Horror, Uncompromising Self-Love, and Her First Major Retrospective
Lydia Lunch, no wave queen and teenage runaway turned Teenage Jesus, is back in New York City, where it all started for her in the 1970s. Lydia Lunch: So Real It Hurts, her first major retrospective, opens at Howl! Happening May 8 and surveys her photography series The War Is Never Over, the provocative installation You Are Not Safe in Your Own Home, and the many letters, posters, and ephemera from her incredible, nearly 40-year career. Performances and live events accompany the exhibit, which runs through June 5. A contrarian, hysterian, and hedonist, Lunch’s song lyrics, writings, photography, and spoken word performances peel back the skin and peer deep into the chasm of contemporary culture. While she searches for a home for her archives, readies for a new release from her band Retrovirus, preps to teach at a university summer writing program, and sees a vinyl reissue of the powerful Conspiracy of Women on Nicolas Jaar’s label Other People, the iconoclast shared her views on how to be the ultimate confrontationist.