Nicki Minaj

50 Cultural Icons on What They Were Like as Teenagers

It’s hard out there for a teenager. It’s even kind of hard out there for those of us who used to be teenagers — especially in these back-to-school months, when the nostalgia comes creeping up like those floods we used to wear and never, ever should again. But you know who was probably even stranger than you in high school? Your favorite cultural icon. Or maybe not — as is only to be expected, some had joyful (and/or prank-filled) teenage years, some suffered tragedies, some were completely weird, some were popular, and some deserve our respect for even getting through. Click through to read 50 cultural icons on their teenage… Read More

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Staff Picks: Flavorwire’s Favorite Cultural Things This Week

Need a great book to read, album to listen to, or TV show to get hooked on? The Flavorwire team is here to help: in this weekly feature, our editorial staffers recommend the cultural object or experience they’ve enjoyed most in the past seven days. Click through for our picks, and tell us what you’ve… Read More

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With New Music and No Label, There’s Hope for Azealia Banks Yet

Today, Twitter beefmaster and onetime “one to watch” Azealia Banks released her second post-major label single, “Chasing Time.” On it, Banks returns to the house influences she navigated impressively in her 2012 mixtape, Fantasea, mixing them with fresh new sounds recalling the work of up-and-coming UK producer SOPHIE. But more than that, she channels her frustrations with Universal Music Group, which signed her in early 2012 to Interscope on the strength of single “212” but delayed her debut LP into nonexistence, into its catchy chorus: “Am I chasing time? ‘Cause I wasted all mine on you/ Shut my watch, I had the future in my pocket/ But I lost it when I gave it to you.” Keep in mind, this is the label she begged to be dropped from, repeatedly, via Twitter. When she finally was dumped this past July, after two years and one EP (2012’s 1991), Banks declared, “Free at last.” … Read More

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Oh My God, Becky, Look at These Highlights from Sir Mix-A-Lot’s Reddit AMA

Poor Sir-Mix-a-Lot has – how can one say it without sounding slightly… anal? – been pigeonholed as the guy who… Read More

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Body Parts Can’t Be “Trendy,” No Matter How Big Butts Get

In the past, a tone-deaf Vogue feature might’ve been peak Columbusing. But we live in exciting times, so “We’re Officially in the Era of the Big Booty” was just the beginning! First, the New York Times hopped On It with a trend piece, published (where else?) in the Styles section and titled (what else?) “For Posterior’s Sake.” And now there’s the video for Jennifer Lopez’s “Booty,” which looks like the result of the world’s worst record exec hypothetical: “What if we made ‘Anaconda,’ but without the fun, relevance, or gleeful destruction of phallic symbols? Also, let’s put Iggy Azalea in there.” … Read More

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Nicki Minaj Graces the Cover of Autumn/Winter ‘Dazed and Confused’

Nicki’s having a moment. With her collaboration with Beyoncé, three performances at this year’s VMA‘s, never-ending theorization about… Read More

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Iggy Azalea’s ‘The New Classic': How Effective Are Pop Album Reissues?

Iggy Azalea, the Australian rapper whose inescapable “Fancy” was officially named the Song of the Summer, announced today that she would be dropping a reissue of The New Classic. The update, which was announced just five months after the original, will include six new tracks, and at least one of them will continue Azalea’s trend of pop collaboration, this time with Ellie Goulding. With “Fancy” still all over the airwaves, and recent second single “Black Widow” sitting comfortably in the No. 6 spot of the Billboard Hot 100, a reissue seems like kind of a curious move. But, maybe not. … Read More

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Watch the Video for Ariana Grande, Nicki Minaj, and Jessie J’s “Bang Bang”

Before their opening performance at last night’s VMA’s, Ariana Grande, Nicki Minaj, and Jessie J premiered the Beats commercial —… Read More

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MTV VMAs 2014: The Year of the Class Act

No pop-star threeways, no meat dresses, no speech-crashing, no boob jiggles, no compacts thrown, no assless pants, no shade, no “This World Is Bullshit,” and definitely no twerking. This year’s MTV Video Music Awards, airing living from The Forum in LA on Sunday (August 24), were downright tame, even snoozy. That is, until Beyoncé and Miley shook things up in the last half hour. But the two pop juggernauts did so without controversy — an approach that seemed to trickle down to define this year’s ceremony. Even a Nicki Minaj wardrobe malfunction, which she handled beautifully mid-performance without revealing more than her navel, came to define the rapper’s three performances during the night, including celebrations of the ass during opening number “Anaconda” and a booty-bumping moment with Usher. … Read More

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