It’s safe to say that OLAFUR ELIASSON, who recently wrapped up his first major US survey at MOMA and P.S. 1, is the latest international art world juggernaut.
His waterfalls in New York Harbor form one of the largest (and most costly) exhibitions of public art the city has ever seen. He’s completed projects for LOUIS VUITTON and the BMW Art Car Collection, and his 2003 show at the TATE MODERN, THE WEATHER PROJECT drew more than 2 million adulatory visitors.
Curiously, he has yet to suffer the critical backlash that so often accompanies an artist’s rise to stratospheric fame. Alex Lessard-Pilon’s take on why after the jump.
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