Oliver Stone

10 Directors Who Just Can’t Leave Their Damn Movies Alone

It’s a bit of a dead day for new releases on DVD and Blu-ray — you’ve got that Robocop remake that nobody wanted, the sixth season of the diminishing-returns HBO vampire drama True Blood, and the wretch-inducing flag-waver Lone Survivor — but there’s one new Blu-ray that’ll make you cock your head and go “eh?”: the “Ultimate Cut” of Alexander, Oliver Stone’s Alexander the Great biopic that was met with mediocre reviews and box office when it was released a decade ago. In spite of that reception (or maybe because of it?) Stone keeps re-cutting the failed picture, endlessly attempting to make it work. And Stone’s not the only one; there’s a whole set of filmmakers who can’t seem to leave well enough alone. … Read More

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12 Abandoned Movies by Famous Screenwriters

Hollywood, this is why you can’t have nice things. A couple of weeks back, word broke that Quentin Tarantino had finished a new screenplay called The Hateful Eight, described as a Western with plum roles for recent Best Actor nominee (and Django Unchained bit player) Bruce Dern and Tarantino fave Christoph Waltz, and there was much rejoicing. That celebration ended earlier this week, when Tarantino discovered that the script had been leaked and pulled the plug on the entire project. But his unproduced script is in good company; here are a few other famous abandoned screenplays we’d love to have… Read More

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25 Great ’80s Movies Time Has Forgotten

Buried among the also-rans within this week’s Blu-ray releases, you’ll find the HD debut of Tequila Sunrise, Robert Towne’s 1988 mystery/love triangle thriller starring Mel Gibson, Michelle Pfeiffer, and Kurt Russell. It’s the kind of movie studios don’t make that much anymore — an entertaining and reasonably intelligent picture for grown-ups, done on a medium budget with the expectation of a medium return. There’s nosurplus of love out there for mainstream American moviemaking in the 1980s — and for good reason. But there are also a handful of films from that much-maligned era that have stood the test of time, and deserve more retroactive attention than they… Read More

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Britney Spears and Oliver Stone Have Some Complaints About the ‘Breaking Bad’ Finale

File this away among the things you never even contemplated: Britney Spears was Team Walter. Vulture reports that… Read More

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50 Great Director Cameos in Other Directors’ Movies

Film fans love a good director cameo. Hitchcock made a trademark of them; viewers are regularly delighted by the sly appearances of Martin Scorsese, John Waters, Sydney Pollack, and many more (M. Night Shyamalan, not so much) in their own movies. But the real sport for true cinephiles is spotting the occasions in which chummy directors pop in for cameo appearances in the pictures of their filmmaking pals. It happens, well, all the time. Click through for our handy… Read More

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Our Favorite Films Shot in NOLA

Presented by NOLA

New Orleans serves as a vibrant backdrop for some of our favorite movies — and it’s really no wonder. The city is not only full of historical architecture, but also boasts a thriving cultural scene that all but becomes a character itself in the following flicks. NOLA has been an inspiration to filmmakers for decades; read on for our top picks, and then follow your NOLA to get inspired by the Crescent City.  … Read More

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10 Inexplicably Overlong Movies

Disney’s big-budget adaptation of The Lone Ranger bit the big one at the box office last weekend, taking in less than $50 million and ensuring a healthy loss for movie that cost at least five times that. Plenty of theories for its tanking have been bandied about, here and elsewhere: Depp’s star is falling, young audiences are unfamiliar with the character, Westerns are always a hard sell. But here’s one more thought: maybe it’s because word got around that The Lone Ranger ran a befuddlingly inflated 149 minutes, and viewers couldn’t imagine sitting through a summer action movie that was that goddamn long. But it’s not like The Lone Ranger is the sole offender — especially in recent years, more and more filmmakers are pushing their luck with bloated running times that test viewers’ patience and indicate producers and editors falling down on the… Read More

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Flavorwire Interview: ‘We Steal Secrets’ Director Alex Gibney on Julian Assange and the Wikileaks Backlash to His Film

In his riveting new documentary We Steal Secrets: The Story of Wikileaks, director Alex Gibney (the prolific Oscar winner behind Taxi to the Dark Side, Enron: The Smartest Guys in the Room, and Client 9: The Rise and Fall of Elliot Spitzer) tells two stories: the thriller-like ascendency of the organization and the troubling questions it asks about government transparency, and the crumbling of Wikileaks founder Julian Assange, which plays like something out of Greek tragedy — the transformation of an admirable idealist to a paranoid propagandist, injecting his own legal woes into the lofty aims of his organization, and conflating them. Gibney was unable to procure an interview with Assange; “Julian wanted money,” Gibney explains in the film, though Assange was willing to exchange his interview for information on the other people Gibney was talking to. (UPDATE: The organization has disputed this claim. Mr. Gibney notes that they’re working from an “incomplete and inaccurate transcript based on non-final version.”) The filmmaker refused, and We Steal Secrets has been under fire from Wikileaks supporters since it was unveiled at Sundance last January. I asked Gibney about that backlash, the importance of the story, and related troubling matters of transparency in the Obama administration. … Read More

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