Welcome to “Trailer Park,” our regular Friday feature where we collect the week’s new trailers all in one place and do a little “judging a book by its cover,” ranking them from worst to best and taking our best guess at what they may be hiding. We’ve got seven new trailers this week, including, yes, Hunger Games; check ‘em out after the jump. Read More »
1. This sounds promising: Fox Searchlight has greenlit the first film by Jonathan Dayton and Valerie Faris since their 2006 Oscar-winner Little Miss Sunshine. He Loves Me, which will reunite the filmmaking team with Paul Dano, also stars his girlfriend, Zoe Kazan, who wrote the script. [via Deadline]
2. Battlestar Galactica star Edward James Olmos is joining the cast of season six of Dexter; he’ll be playing “an enlightened religious studies professor” who we’re guessing has something to do with Mos Def’s storyline on the show. [via Screen Rant]
3. Strange but possibly true: Is Lady Gaga planning to spend her summer in a new home on Martha’s Vineyard that she has dubbed “GG’s Playpen”? [via Boston Herald]
4. The Barbican has announced the flagship arts programming planned around the 2012 London Olympics, and the highlights include theater productions starring Juliette Binoche and Cate Blanchett, a major Bauhaus retrospective, and the UK premiere of Philip Glass’s Einstein on the Beach. [via Arts Journal]
5. The Kardashians are working on a novel that’s due out next November about “a glamorous, high profile and complicated family,” and they want your suggestions on what it should be called — but you won’t be paid if they pick your title. [via WaPo]
Bonus link: Take a Quiz in Honor of National Wine Day
Gigantic’s symbolist take on 20-something angst refuses to “make all the dots connect,” as first-time director and Gigantic co-writer Matt Aselton told us this week. We sat down with him, and the film’s star, Paul Dano, to discuss their project about a mattress salesman who wants to adopt a Chinese baby and who is stalked by a mysterious homeless man (Zach Galifianakis). Read More »
A trailer for Toronto Film Festival-favorite Gigantic, starring Paul Dano and Zooey Deschanel, has finally been released — and now we have solid proof that it looks as potentially awesome as we’ve heard it is. Watch the trailer after the jump — and read the top ten reasons why we can’t wait to see this flick (look for it in limited release starting April 3rd).
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When we heard that Chuck Klosterman’s road-trip memoir Killing Yourself To Live would be coming to the big screen soon, we were careful not to get too excited. Sure, some of our favorite journalist narratives have been successfully adapted into masterpieces, like Susan Orlean’s The Orchid Thief, which became Adaptation, or even Fear and Loathing in Las Vegas. But others, like this year’s How to Lose Friends and Alienate People, get Hollywood-ized with characters that never existed and none of the first-person drivel we liked about them in the first place.
Which brings us back to Klosterman — he’s no Hunter S. Tompson, but his account of his magical music mystery tour is complicated and dark, and we’d hate to see it transformed into a crappy buddy-road-trip comedy.
After the jump, we make casting suggestions for Killing Yourself to Live and suggest other non-fiction classics we’d like to see turned into good movies.
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After HIGH SCHOOL MUSICAL 3: SENIOR YEAR tickled our cerebral cortex with its realistic depiction of an inflatable beefcake’s heartwarming journey through the public-school system, we fell into a deep funk.
What sort of visual stimuli would we consume as we awaited the release of HSM4: Community College?
The answer: better movies.
Although current multiplex lineups aren’t exactly chockablock with mid-career Bergmans, salvation lies ahead for those willing to have a little patience. Three art-house flicks from filmmakers we hold dear are in production right this minute, all guaranteed to earn cryptically worded acclaim from film snobs the world over.
Put on your most pretentious spectacles and see what you have to look forward to after the jump.
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